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first interlude.

Dark roads of motorcyclists.

Dark, riders.

The great city of New York, is among the world's most iconic places, with its sprawling Central Park, and sky-piercing skyscrapers that inspire countless works of art, movies, events, and even cultural conferences. This city is, in many ways, one of the most popular in the world, for all that New York represents.

Joe Kubert's current headquarters is in a pizzeria near the city's bustling center. Both of them are enjoying pizza and discussing enthusiastically since morning.

The summary of the meeting concluded with the broad strokes of the story.

-It's a fantastic idea. The first part is about a group of bikers traveling from city to city. It starts by portraying the apparent lifestyle of these nomadic bikers. Everything kicks off when the police hear that a gang of bikers robbed a bank. The police, suspecting the nomadic bikers as the culprits, attempt to capture them. The battle escalates, getting out of control. The situation spirals into an all-out battle, instigated by the police. Things take a turn for the worse when the police start using firearms and end up killing some people, eventually capturing the bikers. -

>>In one day, they find out that they arrested the wrong gang. The police try to cover it up, but the bar owner is friends with the bikers, and the situation becomes too big to conceal. The police officers are sentenced and have their licenses revoked for abusive use of force, which is condemned, - Billy explained.

-Kid, we've laid out the groundwork for the first part of the series. Let's have a quick dialogue while you work on drawing the main characters and the initial scenes with the dark bikers, - Joe Kubert said, anticipating the developments taking shape.

-Of course, I'll help fine-tune the characters to get started with the drawings, -- Billy said, eagerly. -- Where will we publish the story? - he asked.

-Kid, I believe your label is the best option. It's where we'll get the most out of what we're creating. Any other company will take a significant share, which is better invested in your own business, son, - Joe Kubert replied.

-Well, Joe Kubert, I've finished drawing the main blueprints. We just need to fit the dialogues into perfect synchrony, -Billy said, more excited than ever. It could be considered the first entirely original entry created by Billy and Joe Kubert autonomously. Every stroke and every brushstroke is a creation, and although influenced by the numerous series from which he has gained knowledge, they have now influenced his way of drawing and thinking.

Another improvement is that it has allowed him to develop his memory and analytical ability at an impressive pace due to all the drawings he has in his memory, from the multiple perspectives he gains from reading each series.

-Come on, let's go to my office at Stan Lee's. That old man is an amazing scriptwriter, and with a few tweaks, we can get to work in the best possible way, - Joe Kubert said.

Stan Lee was in the Marvel Comics building. With his formal work, he's one of the best figures in the world of comics and is considered a living legend among the people at Marvel Comics due to his significant impact on multiple works. He has a particular gift for creating stories. While his drawing skills aren't top-tier, he can create from scratch. He's a true artist.

Marvel, DC, and Lux Comics are the top three money-making comic companies in the United States in that order. Lux Comics barely makes it into that top three, very close to the others. These companies have noticed the numerous sales increases in comics after the sales boost, leading them to invest in growth. Marvel has chosen to oversupply more, invest, incur debt, and project sales. Ronald Perelman has used the growth in sales and statistical predictions to max out Marvel's debt, investing multiple millions in the growth of new companies.

They entered the Marvel Comics building, where Joe Kubert was well-known due to his seniority and numerous collaborations with the people. It's like Joe just entered his own office.

-Young Billy Carson, how impressive it is to see you again, my boy, - Stan Lee said.

-It's a pleasure to meet you again, sir, - Billy said.

-They are working on the story, so they come to see this old man help them with the script. Hahahahaha, Joe always needs me when he's creating something big. Let's see what you've got so far, - Stan Lee said.

-Oh, my old friend, you'll be amazed by the story we've created in less than five hours. This series will become one of my favorite works. The anti-hero genre has always been to my liking, so the story will have that dark twist I've always enjoyed, - Joe Kubert said.

Billy's drawings were simply breathtaking for comic enthusiasts. The Dark Bikers story is about an anarchy that encompasses every corner of the plot. Some use excuses, others follow their general interests, and some hold absurd ideals. The story's beginning will walk into darker dystopian endings.

-It's an amazing start, one of those that sends chills down your spine, - Stan Lee said.

-That's our lean idea. The goal is to unite the entire place in three demonstrations: the passage to the end of the world, the end of the world, and the new life, - Joe Kubert said.

-Quite interesting. The story will dedicate itself to giving different forms of what would happen on Earth, something worth paying attention to. If you allow me, I think detailing the stories of at least five people can enhance things. It would allow for better reader connection, - Stan Lee said.

-The stake myth, - Joe Kubert said.

-I see you understand, - Stan Lee said.

-What is the stake myth? - Billy asked.

-You see, this myth is a notion we have that the most read characters are those who can create sympathy with the reader. By showing them as more imperfect, we need to understand what motivations people have, and all those motivations are archived under a series of considerations. For example, Spider-Man is the life of a high school kid, a kid with insecurities who becomes a hero out of responsibility. Meanwhile, we connect with the reader, showing some flaws, and all those flaws can generate annoyance in people. But when those flaws annoy people, that flaw can be the saving grace that ends up enchanting everyone. It's like a stake that gets driven into people's hearts because it's driven into people's hearts like a stake, - Kubert explained.

-I see. It's quite astonishing, - Billy said.

The Dark Bikers were born after extensive work between these three comic creators, a project that resonates well. Given the dystopian themes that writers would explore shortly, Dark Bikers would lead the way in the 1990s.

Stan Lee corrected various details as his perspective, shaped by decades of experience as a writer, differed from that of others. His ability to weave stories, spot inconsistencies, raise questions, and introduce new plots and angles was remarkable. On the other hand, Joe Kubert had the gift of conveying emotions and crafting stories that touched the heart. He could organize a story to make it beautiful.

-Do you have everything in mind, young man? - Stan Lee asked.

Billy simply lifted the drawings he had been working on. After their discussions, with careful strokes, he brought his mental visions to life. The quality of his drawings was glorious, representing a technological advancement of about twenty years in skills. This left even industry geniuses like Joe and Stan Lee bewildered, as their skills were focused on telling magnificent stories above well-drawn pictures.

...

they are interludes, they are two, while we start the second arc. it is already written, linearly we are in chapter 158.

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