Chapter 11

Brother's Wife and Own Mother's – Bath with Mother

"Fuu, it's been a long time since I've come back to my hometown. ..."

Tomoya wipes the sweat from his forehead.

It is currently the peak of summer, and I returned to my hometown for the summer vacation of university.

"Boy,…..I've been waiting for you."

Someone calls out to Tomoya.

Tomoya is not particularly surprised by the sudden call.

"Long time no see, Mr. Nishijima."

"Welcome home, young master."

There was a man in his 60s, whom Tomoya called Nishijima.

Tomoya was a good-looking young man, and Nishijima was a butler in the service of the Shikii family.

"I told you I would go to the house alone without you coming to pick me up. ..."

"Mistress is waiting with bated breath for the little master's return and told me to go pick him up. ...

Come in, little master ...."

Tomoya got in the car and arrived at his parents' house in about ten minutes.

The Shikii family mansion.

Since the time of the renovation coincided with Tomoya's going off to college and being on his own, Tomoya had little awareness that it was his parents' home.

Tomoya gets out of the car and opens the door to his parents' house.

Then–

"Welcome home, Tomoya-san.

–A beautiful mature woman wearing a kimono welcomes Tomoya with a big smile on her face.

The woman's name is Miyako Shikii.

She is Tomoya's biological mother.

The Shikii family has the so-called "eldest son" principle, which is often seen in prominent families.

Miyako Shikii is the only one in the Shikii family who loves Tomoya very much.

Tomoya's mother Miyako is the only ally for Tomoya, who was always treated coldly by his parents because his elder brother was given priority in everything and was compared with him, and because he was not a very good student.

Although he is sometimes fed up with her doting love, Tomoya basically loves his mother Miyako.

However, it is inevitable.

Miyako is a beautiful woman.

She is in her mid-forties, but like Orie, she is an attractive woman who arouses a man's inferiority complex.

Her skin and style are in keeping with her age.

"Welcome back, Tomoya."

After his mother, a beautiful, older woman greets Tomoya.

Her name is Ayane.

She is the wife of Tomoya's older brother, Natsuhiko, and Tomoya's sister-in-law.

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"I'm home, mother, sister-in-law."

"You must be tired, Tomoya.

Come on, dinner is ready."

It was already dinner time.

The family home of Tomoya is not deep in the mountains. But he didn't want to come back as much.

One reason is ....

"Well, you finally came. ..."

The reason is that he wanted to spend as little time as possible with his older brother Natsuhiko.

The reason for this is that the two of them have a very bad relationship.

The reason for this is ....

"Natsuhiko, what is that way of talking to your brother who just came back home? ....

You have always been like that, you don't have a shred of tolerance as an older brother. ...

At all, because you were raised by such a woman, you became such an intolerant man ...."

"Oh, mother...."

It's because of Miyako, my mother.

Well, to be precise, the feud between Miyako, the mother, and her mother-in-law is at the root of it.

When Natsuhiko was born, her mother-in-law took advantage of Miyako's poor postnatal growth and her inability to leave the hospital to forcefully take Natsuhiko away from her and keep Miyako out of the childcare.

Naturally, Miyako tried to get her child back, but she was too young and there were few people in the Shikii family who would take Miyako's side, so she could not compete with her mother-in-law.

Miyako was disappointed, but a turning point came.

She was pregnant with her second child.

In the first-born son-oriented Shikii family, the second son, Tomoya, was not considered important and was not taken away from Miyako, and Miyako's motherhood, which had nowhere else to go, was focused on Tomoya.

At this point, however, Miyako did not dislike Natsuhiko, and even though she was not involved in child-rearing, she loved him as a mother and interacted with him under the watchful eye of her mother-in-law.

Miyako began to dislike Natsuhiko because of Natsuhiko's harassment of Tomoya.

For Natsuhiko, who was still young and seeking his mother's love, Tomoya, who was the sole recipient of his mother's love, was envied by him, and at the same time, he was jealous of Tomoya for taking his mother away from him.

The behavior of a young child seeking his mother's love is to harass his younger brother.

Well, at first it was a cute harassment, and Miyako was tolerating Natsuhiko, but when Tomoya was able to stand and walk, he fell down the stairs and was seriously injured.

Tomoya's fall was dismissed as an accident, but not in Miyako's mind.

Natsuhiko tried to kill Tomoya.

There was no conclusive evidence, only circumstantial evidence, but in Miyako's mind, Natsuhiko's guilt was definite and he became a clear enemy.

'Well, well, mother, it's my fault for being late. ...

I'm sorry, brother."

" Just know ... what I mean.

Unlike the carefree students over here, I'm going on a business trip tomorrow. ..."

The fact that Tomoya apologized, Natsuhiko also put an end to the contradiction.

He is what is called a mother's man.

"Now, now, mother-in-law, Tomoya must be tired, so let's have dinner."

"Sanae-san, please prepare the meal. ...'

"I'm hungry too, let's have dinner, mother."

The housekeepers also began to quickly put dinner on the table.

"Is it tan stew today,..., or did mother make it?'

"Tomoya-san, you like your mother's tan stew, don't you?"

"I made a lot of it, so please eat a lot of it."

"Thank you, Mom."

He brought his mother's tan stew to his mouth.

The tan stew is slow-cooked, and with just a few light bites, it loosens up and the liberated flavor spreads in the mouth.

"How is it?　Is it good?

It's been a while since I've made it, so I'm a little worried."

"Yes, it's very, very good."

"Yes, that's good. ..."

Miyako is relieved and turns to Tomoya with an affectionate look on her face.

Oh, Tomoya, you've got ... a sweet mouth."

The loving expression on his mother's face and the caring and rewarding care she gave him were both things Natsuhiko had lost when he was a child.

"Tomoya, have you found a job yet?"

"Hmm?　Yes, I managed to get a job offer from one company."

"Oh, really? Congratulations, Tomoya."

"Thank you, sister-in-law."

"So, what kind of company is it?"

Tomoya told his brother the name of the company as he was asked.

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"I've never heard of it, ....

It's a no-name small business, and I've got a job opening for you within the Shikii Group for ....

Why don't you turn down the job offer and come over here now?"

"Thank you, brother.

But I'm going to live within my means where I can grab it myself."

At first glance, it appears to be a brotherly proposal, but Tomoya, who sees through his brother's intentions, refuses.

At home, he has his mother's eyes on him.

But what about outside the home?

At present, it is not the bedridden grandmother but his mother Miyako who is in charge of the Shikii family.

But that is limited to inside the house.

Miyako's power does not extend to the company.

The Shikii family is typical of the old-fashioned family style where the man is outside and the woman protects the house.

Outside the house, Natsuhiko can bully Tomoya as much as he wants.

Tomoya sees right through his brother's dark intentions.

"I don't care if he comes crying to me later."

And Natsuhiko, not being able to make things go the way he wanted, got up from the table and left. With Natsuhiko gone, the meal went on peacefully, and Tomoya, having finished eating, took a bath.

"Ahhhh, I knew our bath was big!"

Tomoya soaked himself in the bathtub, which still had enough room for five adults to stretch out their legs and soothe themselves.

Rustle…..

However, Tomoya does not seem to be disturbed by the noise.

Tomoya understands what is going on in the dressing room without even looking.

Miyako, his mother, is supposed to be masturbating with her son Tomoya's trunks pressed against her face. ...

Tomoya has also noticed that the love Miyako has for Tomoya is not 100% that of a mother.

Tomoya himself also has desires for her as a man besides the love he has for his mother.

Both of them have feelings for each other, but neither of them had the courage to take the first step, and they had maintained the parent-child relationship on the edge.

But not anymore.

Tomoya has learned the taste of the female body and the pleasure and superiority of embracing a married woman.

Tomoya usually does not return home for long vacations because he does not want to see Natsuhiko, but one of his purposes in returning home this time is to have relations with his mother.

The disturbing noises coming from the dressing room are the best proof that his mother still sees him as a man. ..., and there is a good chance that they will have a relationship.

What does a beautiful mother's body taste like, and how much pleasure and superiority will he feel when he holds her?

Just thinking about it makes the blood rush to Tomoya's lower body and gives him an erection.

"Mother, are you there?"

He called out unexpectedly, and perhaps in a panic, there was a loud noise in the changing room.

"I'm just checking to see if there's a towel or something ready."

"I see. Thanks."

"Hey, Mom."

"What is it?"

"Have you taken a bath yet?"

"Not yet. I'm going in after Tomoya."

"Well, then, for the first time in a long time, why don't you come in with me?"

"What?"

"I want you to wash my back, haha, I'm sorry, I know you can't."

Silence reigns for a moment.

The sound of the kimono being taken off in the dressing room can be faintly heard in the bathroom as well.

Karakara....

The door separating the changing room and the bathroom was opened and there was my mother, completely naked, covering her front with a towel.

"Hmmm, it's been years since I took a bath with Tomoya like this. ..."

She sat down next to Tomoya and soaked herself in the bathtub.

"I think when I was in elementary school,…..My friends laughed at me for taking a bath with my mom, and I was so embarrassed that I stopped taking baths together,...."

"Oh, I didn't know that ....

At the time, I was happy to see Tomoya's growth, but I was also sad to think that he was gradually leaving my hands in this way. ...

Hmmm, parents are so selfish. ..."

He was trying not to look at his mothers body as much

"Ohhhh, that feels so good~."

Now soaked, hot water is poured on her shoulders and chest.

The neck is glistening with sweat.

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I gulp ....

The glamour made Tomoya unintentionally swallow.

His eyes were no longer completely directed at his mother's face. ...

Zabac.

Tomoya stood up.

Miyako reacted to the sound and looked at Tomoya, and saw it.

Gokkuri.

Seeing it exposed in front of her eyes, Miyako involuntarily swallowed her saliva and her gaze was glued to it.

Naturally, Tomoya did not miss that reaction.

Miyako's reaction made Tomoya even more convinced of the likelihood of him having a relationship with his mother.

"Mom, wash my back ...."

"Eh,..., oh, yes,...."

The voice of Tomoya brought Miyako back to her senses, and she stood up straight from embarrassment.

Miyako rushes to hide her naked body, but her hands stop her.

She was in a hurry to hide her body now because she was afraid that Tomoya would think that she was ashamed to be seen naked because she sees Tomoya as a man, and that Tomoya would realize her shameful thoughts.

Of course, normally, this would be overthinking things, and she could just hide my body with a towel as if nothing had happened.

However, Miyako, whose eyes had been glued to Tomoya's, became nervously aware of it.

Miyako's current state of mind is not that of a mother, but that of a woman who has a man of her choice in front of her.

She thinks that her every action may cause Tomoya to see through her thoughts.

As a result, Miyako's action is to hide nothing, just like Tomoya.

She concludes that since they are mother and son, there is no need to hide their nudity, and it would be more natural that way.

"Alright."

Tomoya got out of the bathtub and Miyako followed him.

Both of them are pretending to be calm, but their minds are opposite to each other.

Tomoya is surprised that she did not hide her nudity, and Miyako is surprised that she could not control her thoughts.

And Miyako, too, had the image of her son, who had just grown up fine, etched in her mind.

The back in front of her eyes has also grown much larger and more masculine.

She feels Tomoya's attraction to her as a man, but she keeps her composure as she washes Tomoya's back.

"Okay, I'm done washing your back."

"Then, take care of the front too."

Tomoya then turns to face Miyako.

"What?　You are not a child, you can wash by yourself."

"I'm a child. I'll always be your child, no matter how old I get."

The sponge never leaves Miyako's hand, and Miyako, with the appearance that she has no choice, starts to wash Tomoya's entire body.

She starts to wash everything from the neck to the tips of the toes, except for one part.

Miyako's hands stop.

The only thing that remains is that of the lower half of the body.

"Tomoya-san ..."

"What?"

"Please stand up, it's hard to wash while sitting down,...."

Tomoya is delighted at these words, but stands up, not to show it on his face.

Miyako then took her son's cock in her hand and gently washed it with a sponge.

She washes it slowly and thoroughly, making sure not to leave any residue, but not to damage the delicate male organ.

In the process, Tomoya's cock became hard and erect.

Miyako, however, does not point this out, and Tomoya also makes a blank face.

Naturally, an unspoken agreement was formed not to mention it.