Chapter 178: Promising Young Actor

The film commenced with a documentary style scene featuring a nuclear explosion against the backdrop of aged, yellowed paper. The screen was filled with a plethora of so-called top-secret information about the nuclear program.

As the subtitles introduced the main cast and crew, a group of scientific expedition members, clad in protective gear, suddenly found themselves under attack, leading to their unfortunate demise.

Thus began a classic American horror tale. A family embarks on a road trip, choosing to traverse the desolate Nevada landscape.

Every line of dialogue and every scene meticulously portrayed the essence of the male protagonist, Bob—a physical education teacher specializing in baseball and other sports, as well as a devoted young father. His unwavering love for his family is evident, and, for the sake of his children and wife, he repeatedly endured his conservative, obstinate, and always confrontational father-in-law.

In every argument with his father-in-law, Bob would yield, placing his family's happiness above all else. This character trait made him more endearing to the common audience, as they could empathize with his sacrifices for the sake of love.

At a gas station, Bob chose to remain inside the RV, keeping a watchful eye on the children, while his father-in-law opted for a detour for a shortcut. Trouble arose when their vehicle suffered a flat tire. The father-in-law decided to return to the gas station to ask for assistance, while Bob, being the younger and more adventurous of the two, ventured down the uncharted road ahead to find help.

The path abruptly ended at a colossal crater, and that's when the deformed murderers made their ominous entrance. Bob was suddenly ambushed and attacked by two assailants. After a harrowing encounter that cost him his fingers, Bob managed to overcome and eliminate his attackers.

As he tended to his wounds, retrieved a baseball bat, and prepared to return to the RV, a horrific sight unfolded—his father-in-law was bound to a tree and set ablaze, his mother-in-law and wife lay lifeless, his sister-in-law and brother-in-law were injured, and his child had been abducted.

Filled with anguish and fury, Bob embarked on a one-man crusade, wielding a baseball bat and accompanied by his loyal dog. The male protagonist and the deformed murderer engaged in a brutal battle, with each side taking its turn inflicting torment.

With the unexpected assistance of a deformed girl and the his ever so loyal dog, the hero eventually emerged victorious, vanquishing his foes and rescuing the abducted child.

In the third row of the audience, film critic Kenneth Turan remarked, "Wes Craven has certainly evolved over the years."

Todd McCarthy nodded in agreement, stating, "He incorporated more action elements into the film."

Another film critic, Courtney Howard, chimed in, "The premise is intriguing—survival and escape through one man's determination."

McCarthy sought their opinions, asking, "What did you think of the film overall?"

Turan offered his perspective, saying, "While it doesn't break free from the traditional horror film tropes, the actor's performance is exceptional. Did you notice the depth of emotion he conveyed after losing his loved ones? Outstanding."

Courtney added a different viewpoint, saying, "During the final showdown with the murderers, he seemed to take on a more sinister persona."

McCarthy, contemplating, recognized the nuance but wasn't entirely sure. Turan, however, disagreed, stating, "Consider this: at the film's outset, the male protagonist deeply loves his family. When he witnesses the murder of his wife and the abduction of his children, what would anyone do? If you had his capabilities, what would you do?"

McCarthy, with a child of his own, admitted, "I might become even more ruthless and unhinged."

Courtney concurred, "Hence, the hero's actions portray the profound love of a father."

Turan concluded, "Martin Davis is an exceptional actor, far superior to the characters in Craven's previous two most successful franchises: A Nightmare on Elm Street and Scream."

As the end credits rolled, the audience rose to their feet in applause, with several film critics joining in a standing ovation.

While not deemed a masterpiece, it was undeniably a solid film.

Vaughn, seated nearby, worked for Cinema Score, a market evaluation agency specializing in audience feedback and possessing keen insights into the film industry.

Vaughn believed this film was one of Craven's rare gems in recent years. The lead actor's performance was enthralling, and the climactic showdown featuring a lone man, his faithful dog, and a stick was truly remarkable.

Despite the extensive marketing and promotional campaigns, including speculation about Martin and Annie's rumored relationship, Vaughn, with years of experience in the industry's frontlines, sensed that the film was receiving a positive market response.

He discreetly sent a group text message, signaling his team's readiness.

Amid the applause, Aja and Martin led the main cast and crew to the stage for the curtain call.

In the auditorium, chaotic screams erupted: "Martin, we love you!" What had started as a few voices grew into a chorus, with more and more people chanting Martin's name.

Martin's performance in the film was undeniably exceptional, especially in portraying his character's deep love for his family. The depth of his love was mirrored by the intensity of his actions when confronting the murderers.

Not a single audience member found fault in Martin's almost savage retribution, instead experiencing a sense of catharsis and satisfaction.

The character's charisma resonated and extended to the actors themselves.

Fans were thrilled, and Jessica and Emily exchanged knowing glances from their position in the audience. With a strong film and compelling characters as their foundation, their tasks were made significantly easier.

They understood that potential could be manufactured.

While Martin's current popularity and appeal were on the rise, building further momentum was essential.

Faced with the fervor of the fans, Martin had no choice but to stand, wave, bow, and acknowledge the adoration of the audience.

Once a person's enthusiasm was ignited, it was challenging to quell.

Martin had to repeatedly savor the moment.

The other actors in the crew watched with a tinge of envy, knowing that there was little they could do. Martin, after all, was not only the lead actor but also the financial backbone of the project. He wore multiple hats, including that of production manager, and played an active role in the film's marketing and publicity efforts.

There is a clear disparity in levels.

In the media gallery, a reporter exclaimed, "Judging by the atmosphere in the theater, he looks like a bona fide superstar."

The reporter beside him chimed in, "This movie is a triumph, and Martin Davis's ascent seems unstoppable."

The first reporter concurred, "He and Anne Hathaway have faced their share of criticism, with people calling them 'strong women and weak men.' Perhaps soon, they'll redefine those stereotypes."

As the applause gradually subsided, the fans' emotions settled down.

After the customary words of gratitude from the production director and the actor, the premiere concluded in an orderly manner.

In the lounge, numerous well-wishers approached to offer their congratulations.

Angelina Jolie embraced Martin gently, complimenting him, "Your performance was electrifying and oozed charisma. I'm really looking forward to acting alongside you." Martin responded with a warm smile, "I'm equally excited about working with you."

The atmosphere in the lounge was vibrant. Anne stood by Martin, witnessing him becoming the focal point of attention.

She, too, had experienced moments like this, a precursor to success.

Kenneth Turan, the esteemed film critic from the Los Angeles Times, approached Martin and Anne. He offered Martin a thoughtful critique, saying, "I've spent over 30 years in this industry and reviewed thousands of films. Your acting is explosively powerful. However, I believe the roles you've encountered so far have limited your performance. Perhaps, in the future, you should seek more complex characters to hone your craft."

Martin replied with respect, "Thank you for your insightful advice. In the past, I didn't always have the luxury of choosing my roles. But moving forward, if I have the opportunity, I'll certainly opt for more layered characters to refine my skills."

Turan was pleased with Martin's response and said, "Martin, you possess remarkable talent; don't let it go to waste. I hope to see you evolve into a new Daniel Day-Lewis or Sean Penn in the future."

Martin nodded earnestly, saying, "I'll do my utmost."

Turan smiled, bid his farewells, and returned to the circle of media critics.

Todd McCarthy asked, "What's your impression? He doesn't come across as arrogant for a young man."

Turan replied, "He's a remarkably humble young man. He's open to feedback, and his talent is undeniable. I hope he doesn't follow the path of someone like Tom Cruise."

This group of critics was the first to leave the lounge, preparing to return to their writing duties.

The crew promptly arranged for their departure, presenting each of them with a parting gift.

Meanwhile, the audience dispersed, exiting the theater.

Vaughn from Cinema Score assembled his team and boarded a large commercial vehicle.

He inquired, "How's the audience response?"

His assistant provided initial statistics, saying, "Most viewers gave it an A or A-, with relatively few A+ or B grades. On average, it should be an A."

Vaughn noted, "It's quite an achievement for a horror film to reach this level."

The assistant added, "Today's premiere had a significant number of Martin and Craven's supporters in the audience, which naturally skewed the ratings higher."

Vaughn understood the dynamics, saying, "As per tradition, after the film's full release in North America, the rating may settle at A or A-, and the first-week box office shouldn't disappoint."

In the theater, premiere attendees gradually made their exit.

Mene approached Martin, saying, "Boss, I'm ready to leave." He glanced at Anne and suggested, "Do you want me to act as a diversion?"

Martin declined, "Not necessary." During the film's promotional period, Martin needed high visibility. He observed Mene, who was alone, and asked curiously, "Where's Paris?"

Mene wore a complex expression, "She wanted to come with me and offered to pay, but I didn't dare let her tag along."

Martin remarked, "Caution is never a bad thing."

"In this theater, she's offered quite a bit, and I couldn't refuse." Mene voiced his concerns, "But what if she finds someone to target me in a secluded spot? I'm not old, and that could be the end for me."

Martin looked at him, understanding the gravity of the situation, and advised, "Return early."

Seeing Mene exit the theater, Anne inquired, "Where are you headed tonight?"

Martin quipped, "I'm a pauper now, so it's off to the princess's abode."

Anne thought Martin was joking and took his arm as they left, teasing, "Well, then, you'll be a pauper, and I'll be the one responsible for keeping you."

The line seemed familiar to Martin, and he pondered it briefly. Wasn't this something he often told Louise?

The two walked out of the theater's entrance, where a horde of reporters and paparazzi eagerly snapped photos.

Several security personnel shielded them. Martin escorted Anne to the car, opened the door for his companion, and then entered the vehicle himself. He instructed Bruce, "Brother, let's head to the Hilton Hotel." Bruce didn't drive too fast, considering the dozen or so paparazzi on motorcycles trailing behind; it would be dangerous to speed.

In both words and actions, Martin always put himself in others' shoes, including Bruce's.

A group of paparazzi followed them to the Hilton Hotel.

The Mercedes-Benz came to a halt in front of the hotel's entrance, and Martin and Anne entered the establishment. The couple maintained an intimate demeanor, indicating that they wouldn't be leaving again tonight.

The other paparazzi dispersed, and Jody remained, waiting patiently.

Before long, someone approached from the parking lot and signaled to her.

Judy hastened over and got into the car, finding a young woman inside.

Jessica handed Judy an envelope and said, "Martin plans to propose to Anne. This contains the details of the plan."

Judy opened the envelope and quickly perused its contents, stating confidently, "I know exactly how to put this into action."