The two entities that emerged from the rune that she had engraved on the ground just happened to be her puppets.
The first to materialize was the wooden spider, its eight jointed legs stretching out in all directions.
Each leg was intricately carved with runes and designs, giving the impression of sharp, gnarled wood.
The spider’s body was bulbous and exaggerated, with numerous eyes painted on the front and a set of large, fanged mandibles that snapped open and shut with a creaking sound.
As it moved, the spider puppet’s wooden joints groaned and creaked, adding to its eerie and lifelike appearance.
Initially, its movements were jerky and mechanical before syncing and becoming more fluid, as if controlled by an unseen force, adding to the sense of otherworldly dread that the puppet emitted.
The sheer size and craftsmanship of the wooden spider puppet made it a spectacle to behold, showcasing Beatrice’s impressive puppetry techniques.