The first line of 'The Girl with the Dragon Tattoo' by Stieg Larsson - 'During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country.' This line sets a desolate and mysterious mood, making the reader curious about what will happen in such a gloomy setting.
One interesting first line is from 'The Big Sleep' by Raymond Chandler: 'It was about eleven o'clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills.' This line sets a moody, somewhat dreary scene which is typical for a mystery novel, hinting at the noir - like atmosphere that awaits the reader.
The first line of 'The Maltese Falcon' by Dashiell Hammett - 'Samuel Spade's jaw was long and bony, his chin a jutting v under the more flexible v of his mouth.' This line gives a physical description of the main character, which is an interesting way to start a mystery. It makes the reader wonder who this person is and what kind of mystery he will be involved in.
Sure. In Arthur Conan Doyle's 'A Study in Scarlet', the first line is 'In the year 1878 I took my degree of Doctor of Medicine of the University of London, and proceeded to Netley to go through the course prescribed for surgeons in the army.' This line begins Holmes' story and gives some background about the narrator, which helps to establish the context of the mystery.
The overt and hidden lines in the novel referred to the clues and plots that were clearly shown in the plot of the novel, as well as those that were not directly shown but played an important role in the entire story.
Bright lines refer to those plots that are clearly shown at the beginning or in the middle of the novel. They are usually conversations between the protagonists, events, or relationships between the characters. They can be shown through descriptions, conversations, actions, and so on. Bright lines could make the story more coherent, allowing the readers to better understand the relationship between the characters and the development of the plot.
Hidden lines were those plots that were revealed at the end or in the middle of the novel. They were usually some suspense or secrets hidden in the story that needed to be revealed through plot turns and the reactions of the characters. Hidden threads could make the novel more fascinating and make the readers look forward to the further development of the story.
In a novel, the overt and hidden lines were usually intertwined. Together, they formed the entire story's network. Through the interaction of the bright and dark lines, the novel could present a more complicated and three-dimensional story structure and character relationships.
The overt and underhanded lines in a novel referred to the obvious clues and hints in the story as well as the hidden clues and plots in the story.
Bright lines refer to the obvious clues and plots in the story. These clues and plots are usually displayed in a clear way for the reader to understand clearly. For example, the relationship between the characters, the background story, and the development of events in the novel.
The hidden clues and plots in the story are usually not shown in a clear way but need to be hinted and revealed in other ways. For example, the dialogue between the characters in the novel, the psychological activities, the honey-mouthed sword in the belly, and so on.
The bright and dark lines were very important elements in the process of writing a novel, which could enhance the interest and legibility of the story. When writing a novel, the author needed to be good at using the overt and hidden clues to make the story more colorful and attract the interest of the readers.
The hidden plot of the article refers to the story or the relationship between the characters that are not clearly expressed in the article but can be guessed by the reader through context or other means.
Bright lines meant that the readers could understand the story or the relationship between the characters directly from the article.
In writing, the dark lines often helped to shape the characters, promote the development of the story, and also increase the suspense and appeal of the article. However, the excessive use of hidden threads might cause the article to be too long for the reader to understand and remember.
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