In certain comic versions, Zari Tomaz is indeed presented as Muslim. This aspect often adds depth to her character and influences her story arcs and decisions.
Yes, there might be. Fanfiction often explores various scenarios, including characters getting pregnant. You can try searching on fanfic websites like Archive of Our Own or FanFiction.net to find such a story.
Xianqing likes bright embroidery, not Zhao Yan. Ming Xiu was a relative to Xian Qing, and Xian Qing also treated her as half his daughter. Although Ming Xiu had some conflicts with the demon Xian Qing, Xian Qing cared very much about his position in Ming Xiu's heart. As for Zhao Yan, Xian Qing was more in love with her. Therefore, Xian Qing liked Ming embroidery.
Maybe it could start with an unexpected event that leads to Zari's pregnancy. For example, some kind of magical mishap. Then Constantine, with his knowledge of the occult, tries to figure out how this happened and what it means for their future.
One great Amaya Zari fanfic is 'The Adventures of Amaya and Zari' which focuses on their teamwork and friendship. It has some really interesting plot twists.
Sure. One great Charlie Zari fanfic is 'Charlie and Zari's Adventure'. It's about their journey through a magical land. Another is 'The Bond between Charlie and Zari' which focuses on their deep friendship.
Different people had different preferences and views on cross-stitch embroidery. Some people thought that vertical back embroidery looked better because it could maintain the neatness and beauty of the pattern. It was especially suitable for embroidering complicated patterns and details. The messy back embroidery was suitable for embroidering large patterns. However, there were also people who believed that the positive effect would not be affected by the embroidery method on the back, because cross-stitch was generally displayed on the frame, and the positive effect was the most important. Therefore, there was no clear answer to determine which embroidery method looked better.
Smoke and fire is a poem full of embroidery, from the Tang Dynasty Liu Yuxi's "Bamboo Branch Ci Nine·Nine." The meaning of this poem was that the mountain was full of peach blossoms and plum blossoms, layer upon layer, covering the mountains. Looking at the top of the mountain, amidst the shade of the flowers and trees, smoke rose from the chimneys. There must be someone living there. This poem depicted the beautiful scenery of the mountain village and the scenes of labor and life, showing the image and characteristics of the local men and women in the mountain village. To be specific, the " fireworks " in the poem referred to the smoke rising from the chimneys in the mountain village, while the " people " represented the residents of the mountain village. This poem described the natural beauty and labor beauty of the mountain village, showing the living conditions and local characteristics of the mountain village residents.