play writers

To follow the rules of fair play, writers need to be careful about introducing new elements late in the story. If they do introduce something new, it should be related to what has been presented before. They should also put themselves in the reader's shoes and think about whether the reader has enough information to make a reasonable guess. Like, if a murder weapon is suddenly introduced at the end without any prior mention, it breaks the rules. Writers should also make sure the detective's methods are believable and not overly contrived.

1 Ancient: - Cao Xueqin (1715 - 1763) - shakespeare (1564 - 1616) - Dickens (1812 - 1870) - Victor Hugo (1809 - 1885) - Diggory (1839 - 1902) - Tolstoy (1828 - 1911) - Mark Twain (1835 - 1910) - Faulkner (1885 - 1965) - Ernest Hemmingway (1899 - 1961) - Maugham (1892 - 1969) - Kawabata Yasunari (1889 - 1972) - 1859 - 1893 - Victor Hugo (1869 - 1917) - Jean Jacques Rouseau (1789 - 1852) - Dickens (1812 - 1870) - 1859 - 1893 - Tolstoy (1828 - 1911) - Faulkner (1885 - 1965) - Ernest Hemmingway (1899 - 1961) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Mark Twain (1835 - 1910) - Ernest Hemmingway (1899 - 1961) - 1859 - 1893 - Faulkner (1885 - 1965) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - Jean Jacques Rouseau (1789 - 1852) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - 1859 - 1893 - Faulkner (1885 - 1965) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Jean Jacques Rouseau (1789 - 1852) - Faulkner (1885 - 1965) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - 1859 - 1893 - Jean Jacques Rouseau (1789 - 1852) - Faulkner (1885 - 1965) - Dickens (1812 - 1870) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - 1859 - 1893 - Jean Jacques Rouseau (1789 - 1852) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - Jean Jacques Rouseau (1789 - 1852) - Dickens (1812 - 1870) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869

Ancient China: - Cao Xueqin: Dream of the Red Chamber - Lu Xun: A Madman's Diary, The True Story of Ah Q, New Stories - Lao She: Teahouse, Camel Xiangzi - Ba Jin: Home, Spring, Autumn - Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains Modern times: - Lu Xun: A Madman's Diary, The True Story of Ah Q, Hesitation, New Stories - Lao She: Teahouse, Camel Xiangzi - Ba Jin: Home, Spring, Autumn - Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains Modern: - Lu Xun: A Madman's Diary, The True Story of Ah Q, Hesitation, New Stories - Lao She: Teahouse, Camel Xiangzi - Ba Jin: Home, Spring, Autumn - Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains - Zhang Ailing: Red Rose and White Rose, Aquilaria Fragrance: The First Stove of Incense - Qian Zhongshu: Fortress Besieged - Shen Congwen: Border Town Current generation: - Mo Yan: Red Sorghums Family, Big Breasts and Buttocks - Yu Hua: Live, Shout in the Drizzle - Jia Pingao: Qin Qiang, Abandoned City - Ernest Hemmingway: The Sun Also Rises, A Farewell to Arms - Kawabata Yasunari: Snow Country, Thousand Cranes - Margaret Atwood: Gone with the Wind, Gone with the Wind

After 1950, foreign and literary writers included: 1 George Orwell-1984 was published in 1950. 2. H. G. Wales-New War and Peace, 1950. 3 Hugo (Victor Hugo)-published in 1950, Notre-Dame de Paris. 4 William Shakespeare- 1564-1616 His works were not fully translated until 1954. 5 Calvino (Italy)-Born in 1950 His works have been translated into many languages, including Spanish, French, German, Italian, etc. Erle C Stein-The Sun Also Rises, 1950. William F. Buckley-The Sound and the Fury, 1950. 8 Flaubert (Leo Tolstoy)-published in War and Peace in 1950. 9 Ferdinand Mag Mag- 1950, One Hundred Years of Solitude. 10 Maugham (Arthur James Woolf)-The Moon and Sixpence published in 1950. Their ideas and works had a profound impact on modern literature.

Modern times, modern times. In modern times, their works were often influenced by the European Enlightenment, romanticism, realism and other literary trends. For example, Dickens, Maupassant, Tolstoy, Maugham, Ernest Hemmingway, Faulkner, Calvino, Margaret Atwood, and so on. In modern times, their works were mainly influenced by modern, post-modern, realism and other literary trends. For example, Ernest Hemmingway, Faulkner, Marquez, Mo Yan, Jia Pingao, Yu Hua, and so on. Their works are influenced by various thoughts, social, political and cultural factors. For example, Jia Pingao, Mo Yan, Su Tong, Tie Ning, Liu Zhenyun, Annie Baby, Zhou Guoping, Lu Yao, Yu Hua, Han Shaogong, Chen Zhongshi, Wang Xiaobo, and so on.

Those who are alive now generally concentrate on writing after the 20th century because their writing time span is relatively short. However, some of them could still be called modern.

This question involved understanding the definition and meaning of "". Generally speaking. Their works could be regarded as literary works and were recognized and respected by the literary world. However, there were also different opinions on the definition of " real ". Some people think that only those who create literary works with unique styles, profound thoughts, and unique perspectives can be called real. Others believed that even if a person's work was not widely recognized or did not become a classic literary work, they could still be considered because their creation had a certain impact and contribution to society, culture, history, and so on. Therefore, it depended on the definition and understanding of different people. No matter what, he would continue to work hard to improve his literary standards and present better works to his readers.

Maoni and Beacon Fires are both well-known online novels under Yuewen Group. Their works have their own unique styles. Let me introduce their writing styles: Yuewen Maoni was famous for his unique writing style and narrative techniques. His works were usually full of romanticism and idealism, full of exploration and thinking about human nature and emotions. Maoni's works portrayed the characters deeply, the plot was complicated, and the story was strong, making the readers resonate and think in the process of reading. His works were often full of conflict and suspense, and the plot was full of ups and downs, so that readers could always keep their interest in reading. The characters in the works of the beacon fire drama were also very rich and vividly portrayed, often resonating with the readers. In general, Maoni and Beacon Fire Play Dukes 'writing styles were very outstanding, each with their own unique charm. Their works were both deeply explored about human nature and emotions, and full of drama and plot tension to meet the different needs and preferences of readers.

Maoni and Beacon Fires were both well-known online novels under Yuewen. Their writing styles were very popular among readers. Although the two of them came from different IP platforms, their creative styles were different. Maoni was known for his delicate emotional descriptions and deep character creation. His novels often had strong personal emotions. The readers could feel the emotional changes in the author's heart through the protagonist's experience. The plot of Maoni's novel was compact, full of suspense and surprises. The Beacon Fists were famous for their grand historical background and complicated plot structure. His novels often involved ancient Chinese history, politics, and culture. The readers could feel the author's understanding and grasp of traditional Chinese culture. The plot of the novel was full of twists and turns, full of drama and tension, and often appeared at the critical moment of the plot. Maoni and Beacon Fire Play had their own writing styles, but they were both dedicated to bringing deep emotions and historical experience to the readers.

On the Internet. In fact, many networks had become well-known entities. For example, Cao Xueqin's " Dream of the Red Chamber " became a classic in the history of Chinese literature. If one wanted to become a real entity, one needed to write an excellent novel and pass the review of the publishing house and the review of the editor. If the novel was selected, they could work with a publishing house to publish the novel as a book. However, it was important to note that becoming a real entity required sufficient writing skills and creativity, as well as the recognition and support of the publishing company. At the same time, he also needed to consider the copyright and copyright income of the work to ensure that his rights and interests were protected.