I'm not entirely sure as 'afrika owes story' is rather unclear. It could potentially be about debts in Africa, like financial obligations of African countries, or it might be a story related to something named 'Afrika' that has some form of indebtedness in a non - financial sense, such as an ecological debt. Without more context, it's difficult to say precisely.
It could be that in the context of the short story, 'afrika road don mattera' might be a local expression or a phrase that has a very specific meaning related to the setting or the characters. Maybe it represents a certain state of mind or a situation where the road in Africa is not considered important in a traditional sense, perhaps because of some cultural or situational factors.
Since the 'afrika owes story' is not a well - known or defined concept, I can't really give details. It could be a very specific story within a certain African region, or a story made up by a particular group. Without more context, there's not much to say.
It could also be about a different perspective on progress. Instead of seeing a well - built road as a sign of progress, the short story through this phrase might be suggesting that there are other aspects of life that are more important for the characters. For example, their connection to the land, their family values, and their cultural heritage might be more relevant than a smooth road for transportation. This shows a theme of redefining what progress means in an African context.
Ancient China:
- Cao Xueqin: Dream of the Red Chamber
- Lu Xun: A Madman's Diary, The True Story of Ah Q, New Stories
- Lao She: Teahouse, Camel Xiangzi
- Ba Jin: Home, Spring, Autumn
- Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains
Modern times:
- Lu Xun: A Madman's Diary, The True Story of Ah Q, Hesitation, New Stories
- Lao She: Teahouse, Camel Xiangzi
- Ba Jin: Home, Spring, Autumn
- Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains
Modern:
- Lu Xun: A Madman's Diary, The True Story of Ah Q, Hesitation, New Stories
- Lao She: Teahouse, Camel Xiangzi
- Ba Jin: Home, Spring, Autumn
- Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains
- Zhang Ailing: Red Rose and White Rose, Aquilaria Fragrance: The First Stove of Incense
- Qian Zhongshu: Fortress Besieged
- Shen Congwen: Border Town
Current generation:
- Mo Yan: Red Sorghums Family, Big Breasts and Buttocks
- Yu Hua: Live, Shout in the Drizzle
- Jia Pingao: Qin Qiang, Abandoned City
- Ernest Hemmingway: The Sun Also Rises, A Farewell to Arms
- Kawabata Yasunari: Snow Country, Thousand Cranes
- Margaret Atwood: Gone with the Wind, Gone with the Wind
After 1950, foreign and literary writers included:
1 George Orwell-1984 was published in 1950.
2. H. G. Wales-New War and Peace, 1950.
3 Hugo (Victor Hugo)-published in 1950, Notre-Dame de Paris.
4 William Shakespeare- 1564-1616 His works were not fully translated until 1954.
5 Calvino (Italy)-Born in 1950 His works have been translated into many languages, including Spanish, French, German, Italian, etc.
Erle C Stein-The Sun Also Rises, 1950.
William F. Buckley-The Sound and the Fury, 1950.
8 Flaubert (Leo Tolstoy)-published in War and Peace in 1950.
9 Ferdinand Mag Mag- 1950, One Hundred Years of Solitude.
10 Maugham (Arthur James Woolf)-The Moon and Sixpence published in 1950.
Their ideas and works had a profound impact on modern literature.
Modern times, modern times.
In modern times, their works were often influenced by the European Enlightenment, romanticism, realism and other literary trends. For example, Dickens, Maupassant, Tolstoy, Maugham, Ernest Hemmingway, Faulkner, Calvino, Margaret Atwood, and so on.
In modern times, their works were mainly influenced by modern, post-modern, realism and other literary trends. For example, Ernest Hemmingway, Faulkner, Marquez, Mo Yan, Jia Pingao, Yu Hua, and so on.
Their works are influenced by various thoughts, social, political and cultural factors. For example, Jia Pingao, Mo Yan, Su Tong, Tie Ning, Liu Zhenyun, Annie Baby, Zhou Guoping, Lu Yao, Yu Hua, Han Shaogong, Chen Zhongshi, Wang Xiaobo, and so on.
Those who are alive now generally concentrate on writing after the 20th century because their writing time span is relatively short. However, some of them could still be called modern.