reflexive pronoun and emphatic pronoun

You can use descriptive words or phrases specifically related to her. For example, 'the beautiful and courageous she' to draw attention.

Sure you can! It's a common way to add emphasis or draw attention to a particular pronoun in fictional writing.

Yes, you can italicize a pronoun in writing fiction if it helps emphasize or draw attention to it.

A typical image in a literary work has a typical meaning (pronoun), such as: - Lin Daiyu: One of the female protagonists in the Chinese literary classic Dream of the Red Chamber is a crying, sensitive, and fragile girl. She represents the plight and struggle of women in feudal society. - Charlotte: One of the heroines in the American literary classic Pride and Predict is a kind, intelligent, independent female image that represents the values and pursuits of modern women. - Hepburn: One of the female protagonists in the French literary classic Jane Eyre was a beautiful, independent, and strong female image that represented the status and pursuit of women in the capitalist society.

Basically, a reflexive novel involves the author drawing attention to the process of creating the story and exploring how the narrative is constructed. It often questions the boundaries and conventions of storytelling. For example, the characters might comment on their own fictionality or the author might break the fourth wall and address the reader directly.

A reflexive novel is one where the author deliberately incorporates elements that draw attention to the act of writing or storytelling itself. It often makes the reader aware of the constructed nature of the narrative.

Of course, the following is a list of famous sentences about Tang Wu's pronoun: A pot of wine among the flowers, drinking alone without a blind date. (Tang Wu Ci·Li Bai·Jiang Jin Jiu) The Yellow River is far away, and there is a lonely city among the white clouds. (Tang Wu Ci, Du Fu, Ascending) Two yellow orioles sing in the green willows, a group of egrets soar to the sky. (Tang Wu Ci, Du Fu, Ascending) The mountain is heavy and the water is heavy. There is no way out. There is another village in the dark. (Tang Wu Ci·Lu You·You Shanxi Village) 5. Toast the bright moon to the shadow and form three people. (Li Bai, Drinking Alone Under the Moon, No. 3) The spring breeze is green again. When will the bright moon shine on me again? ("Tang Wu Ci·Wang Anshi·Moored Boat in Guazhou") Sunset clouds and lone ducks fly together in autumn water, sharing the same color in the sky. (Preface to the Pavilion of King Teng, Wang Bo of the Tang Dynasty) 8 days of eternity, sometimes the end of this hatred is endless. (Song of Everlasting Regret by Bai Juyi, Ci of Tang and Wu Dynasties) I wish we could spend a long time together. (Tang Wu Ci·Li Bai·Jiang Jin Jiu) 10 The mountain is empty, hanging on the southeast branch after the new rain. (Li Shangyin of the Tang Dynasty and the Five Dynasties, Climbing Leyouyuan) I hope this list of famous sentences can meet your needs.

I'm not sure specifically as I haven't read this exact novel. But usually in such novels, there would be the lover who is the 'prisoner', and perhaps the object of their love. There might also be some secondary characters like friends or family members who either support or oppose the relationship.

Love and sacrifice could be the main theme. In many 'prisoner of love' type of novels, the characters often face difficult situations where they have to sacrifice something for love.

It often breaks the fourth wall and makes the reader aware of the fictional nature of the story. The characters might comment on the act of storytelling itself.