There were a few modern novels with scars on the male lead's face that could be recommended. The first one was " My boyfriend posted it ". It was a modern romance novel written by Su Xiu. In addition," Accepting a God as a Boyfriend " and " Unrestrained Wife Spoiling: CEO, Please Have Respect " were also modern novels with scars on the male protagonist's face.
His scar might make some people more intimidated by him. They could see it as a sign of his dangerous experiences and be a bit afraid to get too close. For example, new acquaintances in the fanfic might be hesitant to approach him at first.
Hermione might be the one. With her extensive research skills and vast knowledge of magic, she could have stumbled upon a way to remove the scar. She was always determined to help Harry, and this would be just another of her great contributions.
Maybe Ash doesn't want Serena to worry about him. He might think that the battle scar is a sign of his vulnerability and he wants to always appear strong in front of Serena.
In some fanfics, Percy's scar on his face could be a result of a betrayal. Perhaps a so - called ally turned on him during a mission. This person, who Percy trusted, secretly attacked him, leaving a scar on his face. This would add a layer of emotional depth to Percy's character, as he would have to deal with the pain of betrayal along with the physical reminder of it on his face.
In some fanfictions, Naruto might get the scar on his eye during a particularly intense battle with a powerful enemy. Maybe it was a close encounter with a rogue ninja's weapon that managed to leave a mark on his eye area.
" Rose's Trace " was an ancient romance novel written by an online writer, Ming Yuedang. It was published on Qidian Girls 'Network. The main story was about the female protagonist who used the memories of her previous life after her rebirth. She took every step carefully and carefully designed the story to unfold a love-hate entanglement with many male protagonists.
The story was full of twists and turns, and the characters were vivid and well-liked by readers. However, some readers thought that the plot was too complicated and difficult to understand.
The original novel was equally exciting. You can click on the link below to read the exciting plot in advance!
Scar literature refers to the literary works that were popular in the mainland of China from the 1940s to the 1960s. They mainly described the turmoil and transformation of Chinese society at that time, as well as the pain and suffering people experienced during these times. Scar literature used realism to reflect the class struggle, political movements and wars in Chinese society, as well as the suffering, oppression and hope of the people.
The representative works of scar literature included Alive, Xu Sanguan Selling Blood, Spring Silkworm, and so on. These works were widely spread and influenced the development of Chinese society and culture. The emergence of scar literature marked that Chinese literature had entered a period of reflection and criticism, and it also provided important enlightenment for modern literature and contemporary art.
Scar literature refers to the novels and poems that reflect the various social movements and events that took place in the mainland of China from the 1940s to the 1960s. Scar literature was featured by describing historical events and characters 'experiences to present the scars and pain of Chinese society at that time, emphasizing individual sacrifice and collective tragedy, as well as the complexity and contradiction of human nature.
The main representative works of scar literature include Red Sorghum','Alive' and 'Crying in the Drizzle' and so on. These works reflect the profound changes and contradictions of Chinese society at that time by telling the fates and experiences of different characters, as well as the sufferings and pain of the people at that time. Scar literature had a profound influence on the development of modern Chinese literature and became one of the important schools in the history of Chinese literature.