It was impossible to give a definite answer as to whether domestic cartoons would surpass Japanese cartoons in 2020. This question involved many factors such as the quality of domestic cartoons, audience groups, market performance, policy support, and so on.
Although domestic animation had made some progress in recent years, there was still a long way to go under the strong market pressure of Japanese animation. Japanese cartoons enjoyed a high reputation and influence worldwide due to their unique style, plot, and performance techniques, while domestic cartoons still had a big gap in this regard.
However, with the country's support and encouragement for the animation industry, the development prospects of domestic animation became broader and broader. More and more domestic animation companies began to pay attention to the quality of production and launch more high-quality animation works. At the same time, the government also introduced a series of policies to provide strong support for the development of the animation industry. Therefore, domestic animation was expected to achieve greater progress and development in the future.
Whether domestic cartoons could surpass Japanese cartoons still needed time and the test of the market. No matter what, we should support the development of domestic animation to bring more hope and possibilities to it.
Chinese comics could learn from Japanese comics, but they needed to pay attention to copyright issues. Many Japanese cartoons already had authorization in China. It was illegal to copy and paste them directly. However, it could be adapted and innovative in terms of storyline and character design. This kind of adaptation and innovation could not only make the work more attractive but also avoid copyright issues. However, it was important to note that the adaptation and innovation ability needed to be reasonable and not destroy the core elements of the original work, nor bring negative effects to the original work.
There were many domestic comics that were comparable to Japanese comics.
1 " Big Fish Begonia ": This is an animated film with the theme of life, love, and nature. The picture is exquisite and the story is touching. It is known as the Chinese version of " Qianxun."
" The Rise of the Great Qin Empire ": This is an animated series with the ancient Chinese history as the background. The exquisite pictures and grand plot show the charm of ancient Chinese civilization.
3. The Return of the Great Sage of Journey to the West: This is an animated film based on the classic mythical story of Journey to the West. The beautiful special effects tell the story of Sun Wukong's adventure in protecting Tang Sanzang.
4.<< Full-time Expert >>: This is a game themed animated series with interesting storyline and characters that vividly demonstrate the fighting spirit and team spirit of the game players.
5 "Douluo Continent": This is an animated series with fantasy and fantasy as the theme. The exquisite picture and the compact story plot show the growth process and fighting skills of Tang San and the other protagonists.
These are some of the domestic cartoons that are comparable to Japanese cartoons. Not only do they have their own unique characteristics in terms of storyline and picture production, but they also show the potential and development space of Chinese animation.
There are many excellent works in Japanese anime. The following are some worthy of recommendation:
1. Your Name. (Your Name): This is a romantic animated film directed by Makoto Shinkai. It tells the story of two young people who swap bodies through dreams and gradually get to know each other.
Attack on Titan: This is a fantasy action film directed by Shogun Isuyama, which tells the story of humans fighting against giants to protect their own walls.
3 Death Note: This is an anime adapted from a mystery novel written by Oba Thrush. It tells the story of a talented high school student who creates a notebook that can kill and wins a duel with the protagonist.
4 Naruto: This is an anime adapted from a manga created by Kishimoto Saishi. It tells the story of a young Naruto who earned the title of Naruto through his hard work.
5 Sword Art Online: This is a sci-fi action film directed by Makoto Shinkai. It tells the story of a group of players entering the virtual reality game Sword Art Online.
The Black and White Impermanence were two characters in the Chinese animation series "Painting of the Bad People of Jianghu". They were Chang Haoling and Chang Xuanling. They were originally orphans and were later adopted by General Chang Jin. They took the general's surname Chang and were named "Haoling (male)" and "Xuanling (female)" respectively. They were members of the Black and White Ghosts in the Dark Mysterious Cult and were under Meng Po's jurisdiction. The two of them were sinister and crafty, and they treated human lives as if they were grass. In order to improve their own power, they would go around capturing living people to absorb their power. Their methods were very cruel. However, when the siblings were together, they would reveal the gentle side of their hearts. They would treat others with hostility or temporarily form an alliance. In short, the Black and White Ghosts were a pair of siblings. They were orphans who were adopted by General Chang Jin and became members of the Stygian Cult.
One connection is that computers are now used to create old - style cartoons more efficiently. For example, digital software can mimic the traditional hand - drawn look of old cartoons. Another connection could be that old cartoons sometimes feature computers as plot devices, like in the story I mentioned before where a character enters a computer world.
Children were usually the main audience for cartoons because the purpose of animation was to entertain and attract children's attention.
The cartoon usually presented simple plots and language so that children between the ages of 2 and 5 could easily understand it. In addition, cartoons usually used bright colors and vivid characters to attract children's attention.
Animation films usually provide some educational content such as the theme and plot of the story, as well as some knowledge and skills related to children's lives to help children grow better.
Therefore, cartoons were usually suitable for audiences aged 2-5, which could help them obtain both entertainment and educational benefits.
It was illegal and immoral to use someone else's creativity, words, pictures, sounds, and other information directly or slightly modified for one's own purposes without authorization. In the animation industry, plagiarism was also quite common.
We should consider this matter from both legal and moral perspectives. From a legal point of view, plagiarism was a form of copyright violation. If the Chinese manga used One Piece's elements or plot without authorization, it might involve copyright issues. If this kind of behavior was not stopped, it might lead to the continuous occurrence of copyright disputes.
From a moral point of view, plagiarism is an immoral act. It damages the rights and interests of the original author and affects the development of the entire cultural industry. As an emerging cultural industry, the animation industry needed to respect and support the original creators, encouraging them to bravely explore and create.
To sum up, plagiarism is immoral and illegal. We should strengthen the regulation and management of the animation industry, protect the rights and interests of the original creators, and promote the healthy development of the animation industry. At the same time, we should also raise our awareness of intellectual property and protect it to prevent plagiarism.
One Japanese old story is 'Momotaro'. It is about a boy named Momotaro who was born from a large peach. He decided to go on an adventure to defeat the demons on the island of Onigashima. He was joined by a dog, a monkey and a pheasant. Together they fought bravely against the demons and finally returned home victorious, often seen as a story about courage and teamwork.
They reflect Japanese values such as loyalty, as seen in the stories where characters stay true to their friends or family. In 'The Crane Wife', the man's initial kindness towards the crane is an example of the value placed on benevolence. Moreover, the hierarchical structure of society can be seen in some stories. The roles of different characters, whether they are peasants or nobles, are often clearly defined, mirroring the social order in traditional Japanese society. These folk stories are like a window into the soul of Japanese culture.