sans aus react to genocide package

At first, Sans would probably be a bit shocked, but then he'd turn on his laid - back, sarcastic attitude. He might make jokes at Gaster's expense, which could either annoy Gaster or make him respect Sans more. If Gaster tries to harm him, Sans could use his shortcuts to dodge attacks and try to find a way to reverse the situation. He'd also likely be thinking about how this affects his friends in the Underground, especially Papyrus, and try to find a way back to them.

Their stories provide first - hand accounts. It's one thing to read about the numbers and facts of the genocide, but hearing from the survivors makes it real. For instance, they can describe the atmosphere during that time, which textbooks can't fully convey.

A 'genocide graphic novel' can contribute by making the concept more accessible. The combination of images and text can reach a wider audience, including those who might not be inclined to read a long, dry historical account. It can also make the horror more immediate and visceral, which is more likely to stay in people's minds.

One challenge is the emotional toll on the storytellers. Survivors may have to relive their traumas. For example, a survivor of the Cambodian Genocide may find it extremely difficult to talk about their experiences.

Telling genocide stories is crucial as it commemorates the victims. It ensures that those who perished are not forgotten. For example, the Holocaust stories keep the memory of six million Jews alive. These stories also educate future generations about the horrors of such inhumane acts.

Another aspect of genocide in science fiction is when it's related to technological advancements. Sometimes, a new technology is created that is misused to target a particular group. This can be seen as a warning about the potential dangers of unregulated technology. For instance, in some dystopian novels, genetic engineering is used to eliminate those with 'undesirable' traits, highlighting the ethical issues surrounding scientific progress.

The story behind genocide is complex and tragic. It can involve ideological extremism, propaganda to dehumanize a group, and the failure of social and legal systems to prevent it. Sometimes, economic interests or territorial disputes also contribute.

Often, they interact with a lot of patience. They sense the reader's pain and are gentle. For example, they might start by just being a quiet presence around the reader. They slowly build trust, like in a story where a Sans from an AU offers the reader a small gift as a sign of friendship without pushing too hard.

Papyrus might be initially shocked. He's used to Sans being more laid - back, so seeing him in a fight could be quite a surprise. His eyes would widen and he might gasp.

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