classical chinese love stories

Love is one of the most common and important emotions in human society. It is deeply reflected in the fields of literature, art and philosophy. As a form of writing in ancient China, classical Chinese is also an important part of human civilization. It also has different characteristics and forms when expressing love. In ancient classical Chinese, love was described as a deep and complicated emotion, often associated with marriage, family, friendship and other topics. For example, the Tang Dynasty poet Bai Juyi's Song of Everlasting Regret had a line: "In the words of farewell, there is an oath that both hearts know." On the seventh day of the seventh lunar month, in the middle of the night when no one was whispering in the Longevity Palace. In heaven I wish to be lovebirds, on earth I wish to be twigs. There will be no end to this hatred forever." This poem depicted the love story between Emperor Xuanzong of the Tang Dynasty and Yang Yuhuan. It expressed the depth and persistence of love. There were many ways to express love in classical Chinese, among which the more commonly used method was through poetry, Ci, Fu and other literary works to express it. For example, the Tang Dynasty poet Li Bai wrote in his poem,"When I'm about to drink wine," there's a line: "When you're satisfied in life, you must enjoy yourself to the fullest. Don't let the golden cup be empty against the moon. I'm born with talent, I'm sure it'll be useful. To cook sheep and slaughter cattle for fun, you must drink three hundred cups at a time." This poem expressed the poet's pursuit and love for love through drinking. Generally speaking, the expression of love in classical Chinese was an important part of ancient Chinese culture. Its deep and complex emotional expression and unique literary style made it play an important role in literary works.

Classical Chinese love stories often reflect family values. For example, in many stories, family approval or disapproval plays a crucial role. They also show the concept of fate, like in 'The Cowherd and the Weaver Girl' where their love is predestined yet faces challenges. Moreover, they can reflect social hierarchies. Stories may depict how different classes interact in the context of love.

Love was one of the main topics of human society since ancient times, and it was also expressed in classical Chinese. The following are some classical Chinese expressions about love: I love you but I don't see you. The Book of Songs, Guofeng, Zhounan, Guan Ju Lovesickness and longing for each other, dreaming of the soul every night. Bai Juyi of the Tang Dynasty,"Fu De Gu Yuan Cao Farewell" There are trees on the mountain, trees have branches, and the heart delights you, but you don't know it. Song of Yue People, Unknown in Pre-Qin Dynasty I wash my hands to make soup, and dream that you will not see me. Tang Dynasty Wang Zhihuan's "Climbing the Stork Tower" 5. Falling red is not a heartless thing that turns into spring mud to protect the flowers. Bai Juyi of the Tang Dynasty,"Fu De Gu Yuan Cao Farewell" 6. If the love between two people lasts for a long time, how can it be morning and evening? The Magpie Bridge Immortal by Qin Guan in Tang Dynasty 7 tender feelings like water, like a dream, I can bear to look at the magpie bridge on the way home. Song Dynasty Qin Guan's "Jiangcheng Zi·Yimao Dream on the 20th Night of the First Month" The above are just some examples. The expressions of love in classical Chinese are very rich. You can choose and use them according to the specific situation and theme.

One of the most famous is 'The Butterfly Lovers'. Liang Shanbo and Zhu Yingtai fall in love but face many obstacles due to traditional customs. Another is 'The Cowherd and the Weaver Girl'. They are separated by the Milky Way but can meet once a year. Also, 'Xi Shi and Fan Li' is a story of love and loyalty in ancient China.

Love is one of the most common topics in modern Chinese novels, but there are also corresponding expressions in classical Chinese. The following are some commonly used classical Chinese descriptions of love: 1 Love: Love refers to loving a person deeply. For example, I love this child as pure as a spring. 2. Emotion: Emotion refers to emotions and feelings. For example, love is inseparable from life and death. 3. Love: Love refers to having deep feelings for someone or something. For example, love in bed is not willing to leave. 4. Eros: Eros refers to the desire for love and sex deep in the human heart. For example, everyone has love and desire. 5. Affection: Affection refers to the deep love for a certain person. For example, there must be people who valued love. These classical Chinese expressions had the same meaning as the modern Chinese "love" but had more of the flavor of ancient literature.

An example of love in classical Chinese is as follows: It is not as difficult to love as to love nature. Chuang Tzu, Foreign Matter Love can't be lacking for a day. The Book of Songs, Guofeng, Zhounan, Guan Ju I love you but I can't see you. Book of Songs, Bin Wind, July Love him, want him alive, hate him, want him dead. "Lu's Spring and Autumn Annals, Love Theory" Love is what moves heaven and earth. Zhuangzi, Master of Health The depth of love is inexhaustible Book of Changes, Xi Ci (1) It is natural to love those who want to live and hate those who want to die. Chuang Tzu, Foreign Matter

The love letters in classical Chinese were usually adapted and evolved based on the words in the Book of Songs. For example, someone might write,"In the green garden, the sunflower is waiting for the sun to dry." In spring, all things in the world shine. I often worry that the yellow flowers will wither when the autumn festival comes. When will the rivers flow east to the sea and return to the west? If you don't work hard when you're young, you'll be sad when you're old." Such a love letter written in classical Chinese.

It's ancient poetry. Most of his articles are riddles. The language is simple and profound. Riddles are riddles. To speak is to enigrate the words of others. Therefore, riddles are the characteristics of ancient poetry and books. There are eight-character, five-character, seven-character, miscellaneous characters, etc., while ancient poetry and calligraphy are mainly four-character. Four-character is the poet's eight sentences in each of the four lines. His articles are all ancient books, ancient prose, profound meaning, profound mystery. The beauty of ancient poetry lies in its literary meaning, while the essence of riddles lies in its concise language and profound meaning. The beauty of riddles lay in their concise language and profound meaning. Ancient poetry and books are mainly composed of four characters, which contain profound riddles. The essence of riddles lies in their concise language and profound meaning.

On a certain day, a young scholar went to visit an old scholar. The old scholar was a very famous scholar. After listening to the scholar's question, he asked,"Scholar, what question are you asking?" The scholar replied,"I've been writing a novel recently and I want to ask you how to make this book more interesting?" The old scholar nodded with a smile and said,"You can try to change the plot of the novel, make the story more twisted and bizarre, and add some humorous elements to make the readers more involved.". The scholar was a little surprised and asked,"Then what plot do you think is twisted and bizarre?" " For example, you can set up some unexpected endings in the novel to surprise the readers," replied the old scholar with a smile." Or you can use some fictional characters and plots to make the novel more interesting." The scholar felt that the old scholar's suggestion was very useful, so he decided to continue to modify his novel according to the old scholar's suggestion. After several months of hard work, the scholar finally finished writing his novel. He was very excited. However, when he took the novel to the old scholar, the old scholar refused his request. "Your novel's plot isn't interesting enough, so it's hard to attract the readers 'attention. You need to change the plot of the novel to make it more interesting." The scholar was a little disappointed, but he did not give up. He decided to re-examine his novel and use the old scholar's advice to make it more interesting. In the end, his novel was welcomed by readers and became a bestseller.

There were many mythical stories in classical Chinese. The following was one of them: Legend of the White Snake It was said that the White Lady was a snake who had cultivated into a spirit. She came to the human world and fell in love with the scholar Xu Xian. However, Xu Xian was unable to be with the White Lady because of the heavy responsibility of his family. So the White Lady devised a scheme to trap Xu Xian in an illusion so that he could not see his beloved. However, the White Lady's real purpose was to prevent the disaster of Xu Xian's family. Through Xu Xian's performance in the illusion, she learned that Xu Xian's family was experiencing a terrible plague and that the illness was getting worse. Therefore, the White Lady decided to use the time Xu Xian was imprisoned to find an effective way to cure the plague in Xu Xian's family. In the end, the White Lady found a mysterious Taoist priest who provided a magical herb that could alleviate the symptoms of Xu Xian's family. With the help of the White Lady, Xu Xian finally escaped from the illusion and returned to Xu Xian's family with the herbs. The White Lady's actions were approved by the heavens, and she was thus conferred the title of Goddess and received the love of Xu Xian. This story has been passed down to this day and has become a classic love story in Chinese literature.