patterns in chinese ghost stories

The patterns in Chinese ghost stories can be quite diverse. There's the pattern of the cycle of reincarnation being involved. Ghosts might be trapped in between worlds because of unfinished business related to their past lives. Symbolism is also a pattern. For example, certain objects like red strings or old mirrors can have special significance in the stories. These objects can be either a connection to the ghost's past or a means to ward off the ghost. Additionally, family curses or inheritances are sometimes part of the pattern, where a family is haunted due to something that happened generations ago.

The presence of vengeful female ghosts reflects the traditional view in Chinese culture where women were sometimes oppressed. When wronged, they had no other way to seek justice in life, so they become ghosts to avenge. The use of moral lessons like karma shows the importance of ethics in Chinese culture. People believe that good deeds are rewarded and bad deeds are punished. Also, the significance of family in Chinese culture is shown through the patterns like family curses. If one family member does something wrong, it can affect the whole family even in the afterlife.

There were 18 kinds of traditional Chinese patterns. They were cloud and thunder patterns, auspicious cloud patterns, ring patterns, honeysuckles patterns, phoenix patterns, Ruyi patterns, Taotie patterns, Fangsheng patterns, Tang grass patterns, Qushui patterns, drooping scales patterns, ten thousand patterns, twining branches patterns, cloud head patterns, eight treasures patterns, longevity patterns, treasure patterns, and lotus patterns. These patterns all had their own meanings. For example, the dragon pattern represented good luck and peace, the auspicious cloud pattern represented good luck and happiness, the phoenix pattern represented good luck and beauty, the Ruyi pattern represented all wishes come true, the Taotie pattern represented wealth and prosperity, the Fangsheng pattern represented good luck, the Tang grass pattern represented longevity and happiness, the Qushui pattern represented flow and vitality, the drooping scale pattern represented good luck and peace, the swastika pattern represented good luck, the twining branch pattern represented unity and harmony, and the cloud head pattern represented good luck and good luck. The pattern of eight treasures represented good fortune and happiness, the pattern of longevity represented longevity and health, the pattern of treasure represented wealth and preciousness, and the pattern of lotus represented purity and good fortune.

The change in the narrative mode of Chinese novels can be summarized as the following stages: 1. Traditional narrative mode: The early narrative mode of Chinese novels was usually described in the form of historical events and biographies, such as "Records of the Historian" and "Han Shu." 2. Folk narrative mode: After the Tang Dynasty, novels began to absorb materials from the folk and formed a narrative mode that used personal experiences, life stories, and folklore as materials, such as "Dream of the Red Chamber","Water Margins", etc. 3. The narrative mode of the legendary novels of the Tang Dynasty: The legendary novels of the Tang Dynasty, such as Song of Everlasting Regret and Song of Pipa, created a narrative mode with love, war and politics as the theme. 4. The narrative mode of Song Dynasty vernacular novels: Song Dynasty vernacular novels such as Water Margins and Journey to the West used more easy-to-understand language and narrative methods to form a narrative mode with personal fate, social reality and human nature as the theme. 5. The narrative mode of novels in Ming and Qing Dynasties: The novels in Ming and Qing Dynasties, such as Dream of the Red Chamber, Water Margins, Journey to the West, etc., formed a narrative mode with personal emotions, human nature and interpersonal relationships as the theme. At the same time, they also created a narrative mode with political struggles and historical events as the theme. 6. Modern novel narrative mode: At the beginning of the 20th century, with the rise of the vernacular movement, the narrative mode of novels began to change to vernacular, modern, and relaxed styles, such as "Ordinary World" and "Living". Modern novel narrative mode: In the latter half of the 20th century, modern novels such as Lu Xun, Lao She, Zhang Ailing, etc. created a narrative mode with social reality, human nature and social problems as the theme. At the same time, they also began to try new narrative techniques and language styles. Modern urban novels such as Xiao Ding's Celestial Bane and Zhang Henshui's Spring Silkworm pay more attention to the emotions and interpersonal relationships of the characters, as well as the details of urban life, creating a narrative model with urban life as the theme. Modern science fiction narrative mode: Modern science fiction novels such as Liu Cixin's " The Three Bodies " and Yang Jiang's " The Three of Us " paid more attention to science and science fiction elements and created a narrative mode with science fiction as the theme. The change of these narrative patterns gradually occurred with the change of Chinese society and cultural background, and it was also an important stage in the development of Chinese novels.

There are many Chinese ghost stories, some of which include: 1 Ghost stories in Strange Tales from a Chinese Studio: Strange Tales from a Chinese Studio is one of the famous works of ancient Chinese literature. It contains many fantastic ghost stories such as The Legend of the White Snake, The Cowherd and the Weaver Girl, etc. 2. The ghost story in Dream of the Red Chamber: Dream of the Red Chamber is a classic work of ancient Chinese literature. There are many terrifying and mysterious plots such as the death of the Grandmother Jia and the burning of the manuscript by Daiyu. 3. Ghost stories in Journey to the West: Journey to the West is another classic of ancient Chinese literature. There are many myths and ghost stories, such as the struggle between Sun Wukong and the monster, the story of the White Bone Demon, etc. 4. The ghost story in the Water Margins: The Water Margins is one of the masterpieces of ancient Chinese literature. There are many terrifying and mysterious plots, such as Lin Chong being haunted by ghosts. These stories played an important role in Chinese culture and were widely read.

The sentence structure of classical Chinese had a fixed structure, which was generally composed of subject, verb, object and attribute, and it used ancient French. The main characteristics of classical Chinese were as follows: 1. The grammar structure is quaint: The grammar structure of classical Chinese is more quaint than that of modern Chinese. The position of the subject and the predicates is relatively fixed, and the object is often located before or after the subject. 2. The word order is relatively fixed: the word order of classical Chinese is relatively fixed. The subject and the predicates are usually in the same word order, while the object is located before or after the subject. 3. Omitting grammar: Omitting grammar in classical Chinese is more common. It often omits some unnecessary components to make the language more concise. 4. The use of auxiliary words: The commonly used auxiliary words in classical Chinese are "Yu","Zhi","Ye","Hu","Hu Zhe Ye","Yi","Yan", etc. The use of these auxiliary words can make the expression of classical Chinese more precise. 5 euphemistic tone: The tone in classical Chinese is more euphemistic, often using some euphemistic tone to express emotions and thoughts to make the language more beautiful.

One common theme is revenge. Ghosts often return to seek vengeance for their unjust deaths. For example, in many stories, a wronged woman who was mistreated during her life might come back as a ghost to punish those who wronged her. Another theme is love that transcends death. There are tales of lovers where one has passed away but still tries to be with their living beloved in some way.

One characteristic is the strong presence of moral lessons. Chinese ghost stories often teach about good and bad deeds. For example, those who are kind-hearted may be rewarded even by ghosts, while the evil - doers are punished. Another is the rich cultural elements. They are deeply rooted in Chinese traditional culture, like the concept of reincarnation. Ghosts in these stories are often related to unfinished business in their past lives.

One common pattern is hard work. Millionaires often put in long hours and consistent effort in their chosen fields. For example, many successful entrepreneurs worked day and night to build their businesses from scratch.

Chinese ghost stories have had a significant influence on Chinese culture. They have shaped the way people think about the afterlife. For example, the idea of karma is often reflected in these stories. Good people may be rewarded even after death, while bad people are punished. This concept affects people's moral values.