Well, Esquire Magazine Fiction typically showcases a diverse range of voices. It might have stories that explore different cultures, social classes, and moral dilemmas. The stories are usually crafted in a way that reflects the contemporary zeitgeist, whether it's about the latest trends in society or the inner workings of the human mind. And they often come with a certain level of elegance in the prose, which makes them stand out.
Occasionally, Esquire does feature fiction. But it might not be as frequent as in the past. It depends on their editorial decisions and available submissions.
One aspect is the authenticity of the characters. They should feel real and relatable. For instance, if it's set in a certain era, the characters' behaviors and beliefs should match that time. Another is the quality of the prose. It should be engaging and flow well.
Ernest Hemingway was a notable contributor to Esquire Magazine Fiction. His works often had a masculine and adventurous tone that fit well with the magazine's readership.
The 'The Falling Man' story in Esquire is unforgettable because it delves deep into the human experience during a catastrophe. It goes beyond the surface of the event and focuses on one individual's fate. The way it portrays the man's fall, perhaps as a symbol of the fall of so many lives that day, and how it makes us question the nature of such disasters and our own place in the face of them. It's a story that doesn't just report an event but makes us feel the full emotional weight of it, and that's what makes it so unforgettable.
The 'The Falling Man' in Esquire probably focuses on the individual's fall as a microcosm of the larger disaster. It may describe the circumstances leading to his fall, his identity (if known), and how his fall has become an iconic and haunting image that represents the entire event and its impact on humanity.