When 'Pulp Fiction' was out 5 days, it was already starting to make waves. The cast was a big draw, with actors like John Travolta and Uma Thurman. The movie's blend of crime, dark humor, and pop - culture references was something that audiences were quickly falling in love with. It was different from the typical movies of that era and was attracting a lot of attention in those first few days.
The non - linear narrative in 'Pulp Fiction' might contribute to those two days feeling so weird. You're constantly jumping back and forth in time. One moment you're in a diner robbery, and the next you're following Vincent Vega on his date with Mia Wallace. The disjointed order of events can make it seem like a very strange and disorienting couple of days.
In 'Summer Days', the main themes might include the joys and idleness of summer, perhaps youth and freedom. In 'Pulp Fiction', there are themes of violence, redemption, and the intertwining of different storylines in a non - linear fashion.
The phrase 'get the hell out of Dodge' is a colorful way of saying 'leave in a hurry'. In Pulp Fiction, this could be associated with many of the movie's themes. For example, the characters are often involved in dangerous and unpredictable situations. Whether it's Vincent and Jules dealing with the aftermath of a 'miracle' in their line of work, or other characters trying to avoid the wrath of the criminal underworld, the idea of getting out of Dodge quickly is a recurring motif. It helps to create the movie's unique atmosphere of danger, unpredictability, and the need for quick thinking and action.
If by 'black guy out of Pulp Fiction' you mean the main black character, it's Jules Winnfield. He's a hitman who is known for his intense presence in the movie.
The out-of-order telling in Pulp Fiction was a creative choice to challenge traditional storytelling norms and give viewers a unique experience. It keeps them on their toes and makes them think.
Pulp Fiction is told out of order to challenge traditional storytelling norms and create a sense of disorientation and intrigue. It forces viewers to piece together the plot and adds depth to the story as they make connections on their own.