Well, 'immediate fiction' might also be fiction that is based on current or very recent events, making it seem more relevant and immediate to the reader. It could be a new form of storytelling that doesn't waste time with long - winded introductions but jumps right into the action and the essence of the story. For example, a short story about a modern - day problem like urban loneliness that starts right in the middle of the main character's experience of it.
One way to write immediate fiction is to keep the plot simple and focused. Avoid getting bogged down in too many sub - plots or complex backstories. Also, use vivid and immediate language. Instead of saying 'He was sad', say 'Tears welled up in his eyes instantly'. This creates a more immediate and visceral reaction in the reader. Another important aspect is to have a clear and present - centered conflict. Make the reader care about what's happening right now in the story.
Here are some recommendations for romantic novels:
1. The author of Anan and Aman is Yingyang. The male protagonist was a talkative neurotic veterinarian expert, and the female protagonist was a female bodyguard with explosive strength. The interaction between them was well written, and the ambiguous period felt very sweet.
2. "You still dare to be reckless!" The author is Shui Mansheng. This was a story about a brother-sister relationship. The female lead was four years older than the male lead. There were no scumbags, green tea, or melodramatic plots between them. There was only sweet love.
3. The author of "Going to the Stream" depends on his physique. This was a novel about a long-awaited reunion. The male protagonist was an elite lawyer, and the female protagonist was a gentle and intelligent translator. The story between them was full of atmosphere, ambiguous and sweet.
These novels were all romantic and ambiguous, suitable for readers who liked this kind of theme.
Well, in an immediate family novel, family relationships are central. It often shows the love, conflicts, and growth within a family. For example, how siblings support or compete with each other.
Jerry Cleaver's Immediate Fiction offers a wealth of knowledge. It could provide lessons on how to build a fictional world rapidly yet effectively. For example, it might show how to introduce key settings and make them vivid in the reader's mind without spending too much time on elaborate descriptions. Also, it may explore how to create relatable characters in a short span, which is crucial as readers often connect with characters first. By studying it, writers can improve their ability to start a story strong and hold the reader's attention throughout.
One immediate evolutionary benefit of a good story is enhanced group cohesion. A well - told story can bring people together, making them feel part of a community. In pre - historic times, when humans lived in tribes, stories about heroes, hunts, or the origin of the tribe helped to bond members. It created a shared identity and a sense of belonging, which in turn increased cooperation within the group. This cooperation was crucial for survival, such as in hunting large animals or defending against other tribes.
Another one is 'Pride and Prejudice'. Although it is mainly about the romantic relationships of the Bennet sisters, the family also plays a crucial role. The Bennet family's situation, with five daughters and the need to secure their futures, is the backdrop. And the interactions within the family, like the mother's matchmaking attempts and the sisters' different personalities, are all part of what makes this a great family - related novel.
Sure. You can change your quick reactions on stories if you later realize they were incorrect or if you gain more context that makes you see the situation differently.