In my view, 'bracket fiction' could also be something specific to a certain literary movement or group of writers. It might be a way to play with the traditional format of fiction. The use of brackets could be a device to create a sense of fragmentation or to juxtapose different ideas or voices. For instance, a writer could use brackets to insert historical facts or cultural references within a fictional narrative, adding depth and context to the story.
If he had enough time, he could consider traveling to Weihai. Weihai was a small city with a sea view as its main feature, especially the sea view of Liugong Island, which was very popular with tourists. However, in contrast, the city was more outstanding in terms of urban construction, cultural heritage, and food. Therefore, Weihai could be used as an alternative when there was ample time. The intercity train could be used to travel from Qing Dao to Weihai, and it would take about two hours. In general, if you have a special interest in the sea and have enough time, you can consider traveling to Weihai.
There may be some experimental short stories or self - published works that are examples of 'bracket fiction'. Maybe a story where the main character's dreams are presented in brackets within the regular narrative. So, as the story progresses, the bracketed parts about the dreams add a different layer of understanding to the character's waking life and actions. Another possibility could be a story that uses brackets to show alternative endings or different paths the story could take, making the reader more involved in the decision - making process of the narrative.
Han Rubing and Liu Gong were two characters in the TV series " Shanghai ". They had been classmates in their youth. Han Rubing was a chivalrous, soft-hearted, and eccentric woman, while Liu Gongzheng was a national industrialist who had created a miracle of the " great world." The relationship between the two was filled with love and hate, distant relatives, misunderstandings, and understanding. They could not let go of each other, but for various reasons, they could not get married. Eunuch Ming, the old eunuch who had left the Imperial Palace, had once taken a fancy to Han Rubing and wanted to take her as his wife. He had also asked her to continue the burning of incense in exchange for her freedom. In order to save Liu Gongzheng, Han Rubing agreed to Eunuch Ming's request and gave birth to a son and a daughter with Liu Gongzheng, but the two never married. Their love story was a tangled and special emotion in the play, which moved the audience.
The numbers in the combat power bracket usually referred to the attack power, defense power, attack range, and other values that the character displayed in battle. These numbers could be influenced by the character's attributes, equipment, skills, and other factors, so they often appeared in novels. For example, a character's attack might be (100, 200), which means that he can deal 100 damage when attacking, while his defense might be (50, 100), which means that he can block 50 damage when attacked.