chapter 1 tattoo

Tattoos and tattoos hurt, but the degree of pain varied according to the individual's tolerance and the tattoo artist's skills. Tattoos and tattoos were essentially the same. They were both created by piercing the skin with a needle and placing the paint into the skin to form a pattern. Tattoo studios would usually use a special anesthetic for tattoos to reduce the pain. This anesthetic was applied externally and directly on the skin without any side effects. Everyone felt pain differently. Usually, the parts with more nerves would feel more pain, such as fingertips, buttocks, armpits, inner thighs, and inner arms. Therefore, it was impossible to determine whether the tattoo or the tattoo was more painful. It depended on the individual's feelings and the location of the tattoo.

There were some differences between tattoos and tattoos in terms of cleaning. Tattoos required special maintenance and protection measures, while tattoos needed to be cleaned and disinfected regularly, especially after the tattoo was done. Although both required cleaning and maintenance, the cleaning requirements were different for the genders of the two art forms. As for which was easier to remove, the degree of removal of tattoos and tattoos depended on the color of the tattoo and the depth of penetration. Generally speaking, black tattoos were easier to remove, while red, green, yellow, and other colors were more difficult to remove. Using lasers to remove black tattoos usually only required one or two attempts. However, for colored tattoos, even if they were washed off, there might still be some residual color. In general, the effect of tattoo removal varies from individual to individual. For specific situations, it is best to consult a professional tattoo shop or medical institution.

The last places a tattoo artist wanted to tattoo were the hands and the waist. Tattoos on hands were easy to lose color and fade. Moreover, the area of the fingers was small, making it difficult to make a fine tattoo. The side waist tattoo was close to the bone, so the pain was stronger.

Tattooists hated tattoo subjects the most: restless customers, hesitant customers, and inappropriate tattoo subjects. Tattoo artists hoped that the guests could quietly accept the tattoo process, and the guests who moved around would cause trouble for the tattoo artist. In addition, hesitant customers often changed the tattoo pattern or position, causing inconvenience to the tattoo artist. In addition, an inappropriate tattoo theme would also make the tattoo artist dissatisfied. However, there was no mention of the tattoo subject that tattoo artists hated the most.

Tattoo artists didn't dare to tattoo Buddha and Bodhisattva. In Chinese culture, Buddha and Bodhisattva were regarded as protective gods. Tattoo artists believed that the human body was a filthy place for Buddha, so it was not suitable to tattoo Buddha and Bodhisattva patterns on the body. If he had to tattoo it, he had to choose a good place to avoid tattooing it on his chest. The image had to be very clear.

Tattoo artists were most reluctant to tattoo the faces and hands of boys. Face tattoos were not accepted by everyone at this stage of society. It would bring about strange gazes and pressure. Tattoos on the hands were easy to fade and fade, and the effect after recovery might be different from what was expected. Tattoo artists would usually advise their customers to tattoo these areas.

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The chapter where the Yin Yang Tattoo Master Yu Shui Family was caught was called Ancient City of Essence in Ghost Blows Out the Light. This chapter tells the story of the protagonist, Hu Wei, who embarked on a dangerous journey in order to find his mother. In the process, he encountered many dangers and difficulties and finally launched a fierce battle with the enemy.

The tattoo on Hua Cheng's arm was mentioned in the first chapter of the Heavenly Official's Blessing, the Spring Banquet. In the novel, Huacheng was a mysterious character whose tattoo represented his identity and status.

The Prajna Tattoo was a type of tattoo in Japanese legends. There were three types of tattoos: the Smiling Prajna, the White Prajna, and the Red Prajna. It originated from cultural works such as The Tale of Genji, Ukiyo, and Monster. There were many meanings behind the Prajna tattoo. Some people thought that it symbolized great wisdom, while others thought that it represented jealousy and resentment. The tattoo location and pattern were also particular. One could choose the full back, chest, and other locations. The pattern could be decided according to personal preference and the tattoo artist's creative space. However, different people had different explanations for the specific meaning and taboos of the Prajna tattoo. Therefore, when choosing a tattoo, it was best to communicate with the tattoo artist to ensure that their understanding and intentions were consistent.