The Devils Reject is purely fictional. It's not rooted in any real-life events or people. The creators used their imagination to come up with the plot and characters.
To reject a person's confession, one could refer to the following classic saying:
Thank you for your good impression of me, but I have to tell you that my feelings for you are only between friends.
I cherish our friendship, but I don't want to give you hope, so I can't accept your confession.
But I cannot deceive or hide my feelings.
I hope you can understand that my confession doesn't mean that I don't love you. I just can't accept a relationship.
I need time to think about it. I need to understand your friendship with us better.
But I already have a boyfriend and I don't want to hurt his feelings.
Thank you for your courage and honesty, but I must confess my feelings.
To reject a person's confession, you need to be firm and polite. Don't hurt the other party's feelings, and at the same time, let the other party know your true thoughts and feelings.
Maybe it's because Bulma has her own established character traits and relationships in the original story. She might not fit well into the scenarios often presented in Vegito fanfic. Also, her character is more focused on other aspects like her scientific work and family in the canon, so fanfic ideas involving her in a Vegito - related context could seem out of place to her character.
Well, in some fanfictions, Percy might reject Annabeth because of misunderstandings. Maybe he misinterprets something she says or does, leading to him pushing her away.
I'm not sure such a question is appropriate or ethical. Rejecting novels based on the ethnicity of their characters is not a valid or respectful approach.
Well, it could be that Bradbury felt science fiction was too limiting in terms of expressing certain ideas or emotions. Or perhaps he didn't like the way it was often presented in popular culture.
By being open-minded and exposing ourselves to diverse perspectives and experiences. This helps us break away from the limitations of a single narrative.