The Flashpoint Paradox takes inspiration from the comics but makes certain changes to fit the cinematic or storytelling needs. Some elements might be similar, but there are notable variations.
The main characters include The Flash, who sets off the events of the story through his time - traveling actions. Batman, who has his own unique story arc within this altered universe. And Aquaman, whose actions and decisions contribute to the overall chaos and conflict in the 'flashpoint paradox graphic novel'. There are also other characters like Wonder Woman, who are involved in the complex web of events and relationships in the story.
Robin could be a great main character. In the Flashpoint Paradox, his character could be significantly different, and exploring his journey through this altered reality, his struggles, and how he tries to uphold justice in this new world would be really interesting.
Well, it's important because it reimagines the DC universe in a really interesting way. The graphic novel changes the status quo of many well - known characters. For example, some characters have different origins or relationships, which makes it a fresh read for those who are familiar with the regular DC canon.
One idea could be exploring how the Flashpoint Paradox affects the relationships between the Young Justice team members. For example, some friendships might be strengthened while others could be strained due to the altered timeline.
I'm not entirely sure specifically what the top stories in Flashpoint 2020 were without more context. It could be about various events like political happenings, scientific breakthroughs, or cultural phenomena. Maybe it included stories about the start of the COVID - 19 pandemic which was a major global event in 2020.
I don't have the exact figure at hand. But you could try looking up on comic book websites or reaching out to comic book enthusiasts who might have a better idea of the total number of Flashpoint comics available.
The 'paradox of fiction' is a philosophical conundrum. We are aware that fiction is not real; it's a creation of the imagination. However, we often have strong emotional reactions to it. Consider horror movies. We know the monsters aren't real, yet we still feel fear. This shows that there is a disconnect between our cognitive understanding of the fictional nature of something and our emotional responses to it.
A different approach is self - correction. In some time travel paradox fictions, the universe has a way of self - correcting. So if you try to create a grandfather - paradox - like situation, some force in the universe will prevent you from doing so. It could be something as simple as events conspiring to stop you from making that final, paradox - creating action, like your gun jamming when you try to shoot your grandfather in the past.