Sure. In 'Moby - Dick', Ishmael can be seen as adrift in a way. He's a young man with no real purpose until he signs up on the whaling ship. His journey on the ship, in pursuit of the white whale, is also full of moments where he and the crew are adrift in the vast ocean, both literally and metaphorically as they struggle with the idea of the whale and their own fates.
In 'Jane Eyre', Mrs. Fairfax could be considered in a way as a 'governess of fiction'. She is in charge of Thornfield Hall where much of the action takes place. She manages the household, which is an important part of the fictional world. Her presence and actions influence the story's progression and the interactions between characters like Jane and Mr. Rochester.
Sure. In some historical novels based on true events, the author might replace minor characters with fictional ones to simplify the plot. For example, in a novel about a famous battle, there could be a fictional soldier added to represent the experiences of many real soldiers.
Memoirs with fictionalized elements can be considered a variation too. Sometimes, authors may slightly alter the sequence of events or use composite characters in their memoirs which are based on a true story. This is done to enhance the narrative flow or to protect the identity of some individuals while still telling a story that has its roots in truth.
In some historical literature, there could be mentions of cherries in the context of trade or exploration. For instance, if a country was known for its cherry exports or if explorers discovered new varieties of cherries in a far - off land. A fictionalized account of these events could be considered 'cherry based on a true story'. The author might use the cherry as a focal point to tell a story about cultural exchange, economic development, or the adventures of the explorers, all of which are rooted in real historical facts.
Take a real story of a war. It involves real battles, real soldiers, and real political reasons behind the war. Documentaries and historical accounts are full of details that are based on evidence. But an adrift story related to war could be a fictional story about a group of soldiers who discover a magical weapon during the war that completely changes the course of the war in a way that defies all historical and physical laws. Also, in a real love story, it might be about two people who meet in a real - life situation and face real - life problems. An adrift love story could be set in a fantasy world where the lovers are from different magical species and their love defies all known norms.
Sure. It could be a story about a family that was displaced due to a flood in 2006 and they were adrift in the sense of not having a stable home. Or perhaps it's about a young person who left their hometown in 2006 to pursue a dream but ended up feeling adrift in a big city with no real direction.
One example could be 'Animal Farm' by George Orwell. Although it's an allegorical story about a farm, it can be seen as a representation of a nation. The pigs, who gradually become tyrannical, can be considered the 'beast' in this nation - like scenario. It was based on Orwell's observations of real - world political systems.
In 'The Great Gatsby', when Daisy leaves Gatsby at the end, it can be seen as a form of 'leaving novel' in a sense. She is leaving the world that Gatsby had created around her in the story.
Sure. In the movie 'The Great Gatsby', Gatsby creates a picture - perfect lie about his wealth and background. His real story was that he came from a poor family, but he built up an elaborate facade of a wealthy, sophisticated man to win back Daisy. He threw lavish parties, which were part of the lie, but were based on his true love for her.
Sure. In some memoirs, people write about their encounters with strangers that had a profound impact on their lives. These real - life stories can then be the basis for fictional works. For instance, a story about a chance meeting with a stranger on a train that led to a life - changing event can be turned into a short story or a novel with added fictional elements.