It's a rather unclear phrase. It could imply the complete plot, all the characters, and every detail of a particular story. But without more context, it's hard to be certain.
I think 'the full of story' is an incomplete or unclear way of referring to a story. It should probably be something like 'the full story of [specific thing]'. In general, when we talk about the full story, we mean every single aspect of it - the backstory of the characters, their motives, all the events that happen in sequence, and how it all ties together in the end. But again, we first need to know which story is being talked about here.
It might imply that she had an aesthetically pleasing appearance. For instance, she could have had a symmetrical face or an attractive body shape.
It implies different outlooks on life. If you see the glass as half full, you tend to be an optimist, focusing on what you have. For example, in a difficult situation at work, you'd see the progress made rather than just the remaining problems.
It could imply a sense of awareness about someone's financial situation. For example, in a simple scenario, it might just mean that someone has noticed the amount of money another person has, like seeing a wallet full of cash.
The phrase 'you're not that guy pal' implies a shift in the perception of the person. It could be related to a change in values, behavior, or attitude. In a story, it might be a turning point where the relationship between two characters is affected. For example, if two friends had a shared set of values and one starts to act against those values, the other might say this. It shows that the speaker has a defined idea of who the 'guy' should be, and the current behavior is not in line with that.
It implies that there are no more events or developments in the story. Everything has been told and concluded.
It implies that there is more to a story that has either been partially told or is known to some extent, and now one is asking about the remaining parts of that story.
It could imply that the story doesn't involve the typical elements of a war story like battles, military strategies, or soldiers in combat. Maybe it's a story about the aftermath of war, or a story set during war times but focusing on non - combat aspects such as the lives of civilians or the emotional turmoil of people far from the front lines.
It implies that the story or situation being referred to does not involve elements typical of a ghost story, such as apparitions, hauntings, or supernatural phenomena related to ghosts.
The statement 'this not a war story' might be used to set the expectations right from the start. It tells the audience that they should not expect the usual war - related themes such as patriotism in the face of enemy, military tactics, or the physical and mental traumas of soldiers. It could be a story set in a war - like situation but is actually about something more profound like the power of human kindness. For instance, a story could be set in a war - torn area but instead of focusing on the fighting, it focuses on how the local people help each other to survive and keep their humanity alive.
It implies that the story is not suitable for bedtime. Maybe it's too exciting, scary or complex.