In 'Flowering Judas', the setting and characters play important roles. The setting may create a sense of isolation or unease, which reflects on the characters' mental states. For example, if it's set in a war - torn area or a place with a strict social hierarchy. The characters are then shaped by this environment, and their actions and decisions are influenced by it. This story might also use symbols like the flower or Judas to convey deeper meanings about loyalty and deception.
It's a complex story. 'Flowering Judas' often explores themes like betrayal and self - discovery. The title 'Flowering Judas' is symbolic, perhaps representing the false beauty or allure that can lead to betrayal. The main character might face moral dilemmas that are central to the story's exploration of human nature.
I'm not entirely sure without rereading it specifically, but typically there is a central female character who is often at the heart of the story's exploration of morality and identity.
The most obvious symbol is the 'Flowering Judas' itself. It likely represents betrayal as Judas is a well - known figure associated with betrayal in the Bible. The flowers could symbolize a false front, something that looks beautiful on the outside but hides a negative truth inside.
One aspect of 'A Flowering Tree' is its exploration of transformation. The girl turning into a flowering tree is a powerful symbol. It could represent the power of nature within a human, or the idea of a person having a hidden, magical self. This transformation also ties into themes of sacrifice as she endures being plucked for the sake of others' desires.
In the Judas story, Judas Iscariot was an apostle of Jesus. He had a special position among the twelve apostles, but his character was flawed. He succumbed to the temptation of money. By handing over Jesus, he set in motion a series of tragic events. His role is complex as it represents the human capacity for both closeness to the divine (as an apostle) and the fallibility that can lead to great harm (through betrayal). His actions are a major part of the narrative that has been studied and interpreted for centuries in religious and ethical contexts.
I'm not sure which specific 'a flowering tree' story you are referring to. There could be many stories related to a flowering tree in different cultures or literatures. For example, in some folktales, a flowering tree might be a magical entity that grants wishes. It could also be a symbol of beauty and growth in a local legend.
The 'The Destructors' is a story that shows the darker side of human nature. It's about a group of boys who, in the post - World War II rubble, decide to destroy an old man's house. One aspect is the sense of aimlessness among the youth. They have no real positive goals and instead focus on destruction as a form of entertainment or assertion of power. For example, T. is the leader of the group, and he seems to be driven by a need to prove himself in a world that has been turned upside down. The story also reflects on the concept of class. The old man's house represents the old order, and the boys, coming from the working - class background, seem to be rebelling against it in a rather destructive way.
Well, the 'paid in full short story' could be centered around the concept of completion in terms of payment. It might explore different scenarios. One could be a person paying off a mortgage early and how that changes their life. They might feel a great sense of accomplishment and freedom. Another aspect could be the relationship between the payer and the payee. If it's a debt to a friend, paying in full might strengthen their bond, while if it's a business debt, it might improve the payer's reputation in the business community.
The 'cathedral' full short story delves deep into the psychological states of the characters. The protagonist is initially narrow - minded and somewhat self - centered. However, as he spends time with the blind man, he starts to break free from his own mental constraints. The act of drawing the cathedral together becomes a transformative experience, not just for the sight of what is being drawn but for the internal change within the main character.