One excellent way to start a novel's plot is by creating a sense of anticipation. Maybe there's a big event that's about to happen, like a grand ball where the main character is expected to meet someone important. It builds excitement. On the other hand, starting with a plot that is completely unoriginal and cliched, such as a hero who is just an ordinary guy suddenly getting superpowers for no good reason, can be a real turn - off for readers who are looking for something fresh and engaging.
A good way to start a novel in terms of plot is to introduce a conflict right away. For example, the main character is in a life - threatening situation at the start. This makes the reader curious about how the character will get out of it. A bad way would be to start with a plot that seems to be going nowhere. Like just showing the character doing mundane daily tasks with no indication of any upcoming drama or change.
The best way to start a novel could be with an engaging hook. For example, starting with a mysterious event or a really interesting dialogue that immediately grabs the reader's attention. A worst way might be to start with a long, dull description of the setting that doesn't seem relevant right away. Readers want to be drawn in quickly.
Sure. A story where the good - hearted main character, who has been trying hard all along, ends up dying without any hope or redemption. This is a really bad ending as it gives a sense of despair instead of inspiration to kids.
Beginners can start a story by using a time reference. 'In the year 2050, the world had changed a great deal.' It gives a context of time. Starting with a small moment of conflict is also effective. 'The siblings argued over who would get the last piece of cake.' Another option is to start with a place. 'On the small island, there was a hidden cave, and that's where our story begins.' This helps to set the location which is important in a story.
A really bad dialogue quote could be 'You are my vampire soulmate.' It's just too direct and simplistic. In a well - written vampire romance, the idea of a soulmate would be developed more subtly through actions and emotions rather than just a simple statement.
Start with a dream sequence. Have the main character in a vivid, strange dream that might be a premonition or a connection to a different world. It's a great way to introduce a touch of mystery.
Best addition story: The addition of touch - screen technology to mobile phones revolutionized the way we interact with them. It made them more user - friendly and accessible. Worst addition story: Some software updates add unnecessary bloatware that slows down the device and takes up valuable storage space.
One example could be a story about a haunted house where the ghosts are extremely malevolent and there's no positive resolution. The child is left with the fear of the ghosts. Another might be a story that is just a list of chores and work that a character has to do without any interesting twists or turns. It's just plain boring.
Some fanfictions that are overly long - winded and full of filler content can be considered the worst. They might have pages and pages of a character just thinking about nothing important or going through mundane daily activities that have no real connection to the main plot of the Harry Potter world.
One trope is the 'instant love' between characters from different universes. For example, in a crossover of 'Twilight' and 'Percy Jackson', Bella and Percy meet and fall in love immediately without any real development. It's unrealistic and just a lazy way to create a relationship. Another bad trope is the 'power - up' of a character for no reason. Say in a crossover of 'Dragon Ball Z' and 'Naruto', Naruto suddenly gets all of Goku's powers and can defeat any enemy with ease, ruining the balance of both series.
Another one could be 'Dear John'. The plot is rather predictable. It's the typical boy - meets - girl, they fall in love, but then they are separated by some external factor. There's not much that sets it apart from other run - of - the - mill romantic stories in terms of plot creativity.