A dominant female in literature is often independent. For instance, Jo March from 'Little Women'. She pursues her own dreams of becoming a writer without relying on a man to support her. Also, they tend to be assertive. They can clearly state their needs and wants, as seen in many modern feminist - themed novels.
Well, leadership is a key characteristic. Take Wonder Woman as an example in the comic and movie world. She is able to lead others into battle and inspire them. Additionally, they usually have a strong sense of justice. They will fight for what they believe is right, no matter the obstacles in their path, much like many female detective characters in mystery novels.
One characteristic is confidence. A dominant female character is sure of herself, like Scarlett O'Hara in 'Gone with the Wind'. She is not afraid to take risks and make decisions, even if they are unpopular. Another is intelligence. They often use their brains to get out of tough situations.
Typically, they are self - confident. For example, like Jane Eyre. She knows her own worth and doesn't let others undermine her. Despite her difficult circumstances, she stands up for herself.
In 'The Hunger Games', Katniss Everdeen is a dominant female. She volunteers for the Hunger Games to save her sister. Throughout the story, she shows great strength and leadership, not only surviving the deadly games but also becoming a symbol of hope and rebellion against the Capitol.
Well, female dominant romance novels typically feature female protagonists who are in positions of power, not just in the relationship but also in their lives. They could be leading figures in their communities or in their workplaces. In the romantic aspect, they might set the rules and boundaries. They are less likely to be the damsel in distress waiting for a male hero to save them. Instead, they are more likely to be the ones doing the saving, or at least be equal partners in any rescue scenarios.
A dominant female psychologist in research is often highly self - motivated. For example, they are driven to pursue their research interests regardless of the obstacles. They also tend to be very innovative. Like Mary Ainsworth coming up with the Strange Situation to study attachment in a new way.
Most of them are independent. Take Scarlett O'Hara from 'Gone with the Wind'. They can take care of themselves and don't rely solely on the male characters. This independence gives them the power to make their own decisions in the relationship, whether it's about their career or personal life, and it adds depth to the romantic story.
Well, in some stories, a dominant guy may have a very firm will. He doesn't easily change his mind once he has made a decision. For example, in a business - themed story, he might be the one who overcomes all the opposition and makes his business thrive by sticking to his own strategies. Also, he can be very protective. In a romantic story, he will protect the female lead from all kinds of threats, whether it's from other people or difficult situations.
In many novels, a dominant man may be physically powerful as well. For example, in adventure novels, he can fight off enemies and protect those around him. He also tends to be highly intelligent, able to outwit his opponents in complex situations. He has a certain charm that attracts other characters, whether it's his charisma or his mysteriousness.
Well, one characteristic could be strong - willed protagonists. In many dominant love novels, the main characters are very determined in their pursuit of love, not easily swayed by external factors. They often take the lead in the relationship, whether it's a male or female lead.
Well, in dominant hero novels, the hero usually has extraordinary abilities. For example, they might be super strong, super intelligent, or have some special powers like flying or mind - reading. They often face great challenges and are the key to solving big problems in the story.
One well - known example could be from the novel 'Oranges Are Not the Only Fruit' by Jeanette Winterson. It delves into the relationship of a young lesbian woman in a complex and often dominant - themed relationship within the context of her life and society. Another might be found in some works of Sappho's poetry, which, while often fragmentary, gives glimpses into relationships between women that could be interpreted as having elements of dominance in an emotional or physical sense.