Create a sense of the unknown. Don't explain every single detail. Let the listeners' imaginations run wild. For instance, if there's a mysterious figure in your story, don't describe it fully at first. Leave some mystery to it.
Add some real - life details. If your story involves a haunted house, describe the creaking floorboards as if you were really there. Make it seem more tangible and relatable to your audience.
Build suspense. Don't give away the scariest parts too soon. Describe the setting and the characters in detail first. For instance, if it's a haunted house story, talk about how the old floorboards creak, how the walls seem to be closing in, and how the air is cold and musty. Then gradually introduce the spooky elements one by one.
Set the mood. Dim the lights or use candles. If you're telling a story about a haunted house, you can make the room feel like a spooky place. You can also add some sound effects. For 'The Girl in the Graveyard' story, you could play some faint wind sounds in the background. Also, use hand gestures and facial expressions to make it more engaging and scarier. For instance, when talking about the ghostly figure in the graveyard, make your eyes wide and look around the room as if the ghost is there.
Pause at the right moments. Build up suspense by pausing just before the big scare. For instance, if you're about to reveal the monster in the closet, stop for a few seconds. Let the listeners' imaginations run wild with anticipation. And when you finally reveal it, it'll be much scarier. Also, describe the details vividly, like the smell of decay in a haunted house or the cold touch of a ghostly hand on someone's shoulder.
You can also use props. If you're telling a story about a monster in the woods, have some fake branches or leaves around. Maybe even a fake claw or something. And as you tell the story, use the props to enhance the description. For instance, if the monster is approaching, move the branches like it's pushing through them. This will engage the listeners' senses more and make the story seem scarier.
How about 'The Monkey's Paw'? A family gets a cursed monkey's paw that grants wishes but with horrible consequences. It shows how our desires can lead to unexpected and dreadful outcomes in a really spooky way.
You can use sound effects. For example, play some creaking door sounds or howling wind noises in the background while telling the story. It'll add to the spooky atmosphere.
Not necessarily. There were many kinds of friends. Some people might only know each other for a short time but could support each other at critical moments, while some people would get to know each other for a long time and become close friends. Therefore, whether or not he had friends did not entirely depend on himself, but on the way he got along with others and the quality of his communication. If you want to change this situation, you can try to take the initiative to communicate with others and expand your social circle. You can participate in some activities or join some interest groups to meet like-minded people. At the same time, you must learn to listen to other people's needs and ideas, understand their personality and interests, and build a good relationship with them. The most important thing was to maintain a positive and optimistic attitude and believe that you could make more friends and enjoy the fun of socializing.
Use a low, slow voice. This creates a sense of mystery and makes the listeners have to strain to hear, which amps up the tension.
Use a low, creepy voice. For example, when you're telling a story like 'The Hook', whispering when the couple hears the strange noises outside the car can build up the tension. Also, use pauses at the right moments. If you're telling 'The Babysitter' and she just hears the first heavy breathing on the phone, a long pause before you continue can make the listeners hold their breath in anticipation.
Well, seeing stories when you tell them can be a sign of a rich inner world. It might imply that your words trigger visualizations in your mind that form into coherent stories. Or it could be that you have a natural talent for story creation that gets activated when you talk.