Create a sense of isolation. If the characters in the contractions horror story are all alone, it adds to the terror. For instance, a girl in a big empty house, hearing strange contractions like 'it's' coming from the shadows while she has no one to turn to. You can also play with the pacing. Slow down the action when the horror is building up, like when the character hears 'I'm' near but can't see anything yet. Let the dread seep in slowly.
Sure. 'Do you hear that strange noise, Lisa?' 'No, what noise?' 'It's like a low growl coming from the basement. I'm scared.' This simple dialogue sets a spooky mood as it hints at something unknown and menacing in the basement, which can lead into a horror story.
Use vivid descriptions of the setting. For example, describe a dark and damp basement with cobwebs everywhere and a strange smell. It makes the reader feel like they are really there. Also, play with the character's senses. Describe how the cold air feels on their skin or the deafening silence that gets broken by a sudden noise.
Macabre. It refers to the quality of having a grim or ghastly atmosphere, often associated with death. When you use this word, it can really enhance the horror factor. For example, 'a macabre scene of blood and bones' is very horrifying.
Use vivid descriptions. For example, instead of just saying 'there was a shadow,' say 'a long, inky-black shadow slithered across the wall like a serpent, its edges blurry and indistinct, as if made of pure darkness.' Also, build suspense. Don't reveal the source of the fear right away. Let the reader or listener wonder what's going on.
Once there was a girl named 'ain't'. She lived in a spooky old house. One night, she heard a strange sound, like 'can't' being crushed under some unknown force. Then she saw a shadowy figure whispering 'won't' let her escape. She was so scared that she ran towards the door, but it was jammed. She screamed 'I'm' doomed as the figure got closer, whispering more menacing contractions.
Use vivid and disturbing imagery. For example, instead of just saying 'There was something in the corner', say 'In the corner, a hunched figure with long, gnarled fingers twitched and stared at me with empty eye sockets'.
One element is the unknown. When you don't know what is causing the strange noises or events, it scares people more. For example, in a story where there are just unexplained footsteps in an empty house, the reader's mind fills with all kinds of terrifying possibilities. Another is the use of the dark. Darkness hides things and makes our imagination run wild. A story set in a pitch - black forest where the protagonist can't see what's around them is really spooky. Also, isolation. If a character is alone in a creepy place, like an old lighthouse on a stormy night, they have no one to turn to, which adds to the horror.
The idea of being trapped. On the Titanic, there was no easy escape when the disaster struck. In a horror story set there, emphasizing how the characters are trapped on the sinking ship, with no way out, can be really terrifying.
Use vivid and detailed descriptions. For example, instead of just saying 'a dark figure', say 'a tall, lanky figure with long, bony fingers and a face hidden in shadow'. This makes the reader picture it more clearly in their mind, which is scarier. Also, build up the suspense slowly. Don't reveal the horror all at once.
The setting can be a key element. For example, if the broken bones occur in a remote, isolated place like a deep forest or an abandoned building, it adds to the horror. There's no immediate help available, and the victim is left at the mercy of whatever lurks in those places.