Look at the characters that are already introduced in the 'broken short story'. If there's a character with some sort of goal or conflict that's only half - shown, you can develop that further. Say a character is angry about something but it's not clear why. You can create a backstory for that anger, like they were betrayed by a friend, and then show how they deal with that anger as the story progresses. This can help to make the story whole again.
One way is to identify the main plot points in the existing parts and then fill in the gaps. For example, if there is a start of a mystery like a missing item in the broken story, you could add in clues and suspects to complete it.
Snape could begin by apologizing for his past behavior towards Harry. This would be a huge step in gaining Harry's trust. Then, he could start mentoring Harry in a more positive way. He could share his own experiences of dealing with dark magic and difficult situations. Snape could also introduce Harry to some of his old contacts or resources that could be useful for Harry's development. For instance, some old books or spells that are not commonly known but could help Harry become stronger both magically and emotionally.
There are several potential themes. For instance, the theme of mystery. The broken eyes of the ghost could be a mystery that the story gradually unfolds. It might also be about the passage of time. The ghost's broken eyes could be a result of the long time it has been lingering. Another theme could be the power of the past. The broken - eyed ghost could be a product of past events that still have a strong hold on the present, and the story could explore how the past shapes the ghost's existence and the events in the story.
One can first identify the broken parts. If it's the plot that's broken, like having plot holes or inconsistent storylines, you could rewrite those sections. Maybe add some connecting events to make the flow better. For example, if a character suddenly has a new ability without proper explanation, go back and add a scene where they discover or develop that ability.
I'm not sure specifically as I haven't read it. It could be about a problem - 'the fix' might refer to solving something, like a mystery or a personal issue. Maybe it's about a character who is trying to fix a broken relationship or a mechanical object.
For the over - scheduling issue, she can sit down with her husband and make a new schedule together that includes dedicated couple time. They can decide on a regular date night, for example. This simple step can help strengthen their bond.
First, identify the problem. If it's a plot hole, go back and rewrite parts to fill it. For example, if a character's actions don't make sense in the context, adjust their motivation.
Go to a good - sized bookstore and ask the clerk. They usually know which romance books are popular and high - quality. They might suggest books like 'Outlander' which has a mix of romance, adventure and historical elements.
One way is with a twist. For example, the character who seemed to be the hero turns out to be the villain all along. This surprises the reader and makes them rethink the whole story.
In a dystopian story, one way is through a cruel lottery system. If the parents are unlucky enough to be chosen in this system, they might be sent to a dangerous place or sacrificed for some so - called 'greater good'. Another way could be via a new law that restricts certain types of people from having families, and if the parents don't meet the new criteria, they are removed from the family. And also, a technological malfunction could cause harm to parents. For example, if there is some sort of energy field that is supposed to protect the society but has a glitch and kills the parents.
Fixing exposition in a short story can involve using vivid sensory details to make the information more interesting. And try to relate the exposition to the main conflict or goal of the story to give it more relevance.