In the 'appointment in samarra original story', the two principal characters are the man and Death. The man is an ordinary person going about his day in Baghdad until he has a fateful encounter with Death in the marketplace. His fear of Death causes him to make a hasty decision to flee to Samarra. Death, which is often personified in the story, has an appointment with the man. This appointment is the central element that drives the story forward. Death is not really an antagonist in the traditional sense but more of an inescapable force that the man tries to avoid.
Death is also a significant character, although in a more abstract sense. Death's presence in the market and the servant's reaction to it are central to the plot. Death doesn't really act in a traditional sense but is more of a catalyst for the servant's actions.
The 'Appointment in Samarra' is a short story. It's about a man who sees Death in the marketplace in Baghdad and is so frightened that he flees to Samarra. Later, when his servant asks Death about the encounter, Death says that she was surprised to see the man in Baghdad because she had an appointment with him that night in Samarra. It's a story about fate and the futility of trying to escape one's destiny.
The main theme is often seen as fate or the inescapability of death. In the story, the servant tries to run away from death, but in doing so, he actually runs right into it. It shows how our attempts to avoid certain things that seem fated might actually lead us to them.
The 'Appointment in Samarra' short story often explores themes of fate and the inescapability of death. It shows how the main character's attempts to avoid his predicted end are ultimately futile. For example, when he tries to run away from Death, he unknowingly runs right into the very situation that leads to his death.
Death can be seen as a symbol in the story. It represents the inescapable end. Also, Samarra could be a symbol of false hope, as the man thought he could escape Death there but couldn't.
The theme in 'An Appointment in Samarra' is complex. It not only deals with fate but also with the human condition. The protagonist's panicked reaction to seeing Death reflects our own fears and attempts to avoid the inevitable. By running to Samarra, he is trying to take control of a situation that is seemingly out of his hands. However, the story shows that our actions may be predetermined in some ways. This can also be seen as a metaphor for how we often struggle against the unknown, whether it's death, change, or other uncontrollable aspects of life. It makes us think about whether we should accept fate or keep fighting against it, and how our perception of the future and the choices we make are influenced by our fear of the inevitable.
The moral lesson is that one cannot escape fate. No matter how hard the character in the story tries to avoid his appointment with Death, he fails. It teaches us to accept the things that are out of our control.
Typically, in this kind of novel, there is a central character who is at the center of the 'appointment with death'. It could be a wealthy person or someone with a mysterious past. Then there are those around them, such as family members, friends, and servants. Each of these characters has their own role to play. The family members might be hiding family secrets, the friends could have ulterior motives, and the servants might have witnessed something important. The author uses these characters to build the mystery and keep the story going.
If it's a different '300 original story', perhaps the main characters are the leaders of the 300. For example, if it's a group on a quest, the ones who are in charge of leading the 300, making decisions, and guiding them through the various trials and tribulations would be the main characters.
In the original 'Alice's Adventures in Wonderland', the main characters are Alice, the White Rabbit, the Cheshire Cat, the Mad Hatter, and the Queen of Hearts.