Look for novels where the characters' emotions and development are central. If the plot seems to be propelled mainly by what the characters think, feel, and do, it's likely character - driven. For example, in 'The Bell Jar' by Sylvia Plath, Esther's mental state and her journey through depression and self - discovery are what move the story along.
A good indicator is when the reader becomes deeply invested in the characters. In 'The Color Purple' by Alice Walker, Celie's transformation from a victim to a strong woman is what makes the novel so captivating. If the characters' decisions and internal struggles are what cause the plot twists and turns, as in 'The Lord of the Flies' by William Golding, where the boys' different personalities and power struggles lead to the chaos on the island, then it's a character - driven work.
Well, one way is to look for stories that keep you constantly guessing. If a story has unexpected twists and turns, like in 'The Sixth Sense', it's likely a great plot - driven story. Also, if the events in the story are tightly linked and one event leads to another in a logical but exciting way. For example, in 'The Da Vinci Code', each clue leads to a new discovery and more mystery.
Look at the pacing. If the story takes its time to explore the characters' thoughts, feelings, and backgrounds, it's likely character - driven. For example, in 'The Catcher in the Rye', Holden Caulfield's stream - of - consciousness narration focuses on his internal state. If the story moves quickly from one event to another, it's probably plot - driven, like in a James Bond novel where there's always a new adventure and danger around the corner.
First, create complex characters. Give them a backstory, desires, and flaws. For example, a character who wants to be a famous artist but has a fear of failure. Then, let their actions be guided by these aspects. Also, show their internal thoughts and feelings. This can be through internal monologues or reactions to events. For instance, when faced with criticism, how does the character with the artist dream respond? Does it fuel their determination or make them doubt themselves more?
Reviews and critical acclaim play a huge role. If well - respected literary critics consistently praise a European novel, it's a good sign. For instance, 'The Name of the Rose' by Umberto Eco received a great deal of critical attention for its complex plot, rich historical setting, and deep exploration of themes like knowledge and power.
You can identify the best plotted novels by the way the author builds suspense. In 'Rebecca' by Daphne du Maurier, the mystery surrounding the first Mrs. de Winter keeps the reader on the edge of their seat throughout the book. Also, the development of characters in relation to the plot is important. In 'The Picture of Dorian Gray', as Dorian's character deteriorates due to his immoral actions, the plot thickens and becomes more complex. The ability of the plot to hold your attention from beginning to end is a key indicator as well.
Sentences that convey deep emotions are often among the best. In 'The Catcher in the Rye', Holden's rants about phoniness show his inner turmoil and disillusionment. These kinds of sentences that cut to the core of a character's feelings are really special. They make you understand the character on a deeper level and can also make you feel the same emotions as the character.
One way is to check if the flashbacks enhance the overall theme of the novel. In 'The Kite Runner', the flashbacks about Amir's childhood in Afghanistan are crucial in highlighting themes of guilt, redemption, and friendship. If the flashbacks seem out of place with the main theme, it's not a well - crafted flashback novel. Another aspect is the pacing. In 'Gone with the Wind', the flashbacks are timed well, not slowing down the main story but adding more context. If the flashbacks disrupt the pacing too much, it's not likely to be among the best.
First, consider the author's intention. If the author is clearly aiming to convey Christian messages, it might be a good Christian novel. For example, C.S. Lewis in his books like 'Mere Christianity' was very intentional about sharing Christian ideas. Second, look at the impact it has had on the Christian community over time. Books that have been read and cherished for generations, like 'The Imitation of Christ' by Thomas à Kempis, are often among the best. Also, the moral lessons taught in the novel, if they are in line with Christian teachings, are a sign of a great Christian novel.
Look for novels with strong visual elements in their descriptions. For example, if a book vividly describes a setting like a grand castle or a bustling city street, it could be a good candidate. Also, novels with complex and engaging characters tend to be more cinematic. A character with a distinct personality and a strong arc can be easily translated to the screen. Plot is another key factor. A story with a clear beginning, middle, and end, along with twists and turns, is often more likely to be made into a great movie.
One way is to look at the language. If the prose is rich, detailed, and engaging, it's likely a well - written novel. For example, in 'Moby - Dick', Herman Melville's elaborate descriptions of the whale and the sea are a sign of great writing.