A writer can start by planning the ending first. Then, they can scatter small hints and details throughout the story that lead to the ending. For example, if the ending involves a character's secret identity, drop little clues about their behavior or past that seem insignificant at first but make sense later.
Use misdirection. Writers can make the readers focus on one aspect of the story while the real ending is being set up elsewhere. For instance, in a murder mystery, the writer might make the readers suspect one character strongly, while all the while building up the real killer's identity in the background. This can be done through character dialogue, false leads in the investigation, and so on. Another important aspect is to make the ending seem both unexpected and yet logical when it is finally revealed. The clues should be there, but not so obvious that the reader figures it out too soon. By carefully crafting the plot and the characters' actions, a writer can create a 'buried endings story' that surprises and satisfies the readers.
First, the writer should set up clear goals and conflicts for the characters at the beginning. For example, if a character wants to save their village from a monster. Then, throughout the story, the character should face challenges and grow. Near the end, they find a solution to defeat the monster. This solution could be something they learned during their journey. Finally, the resolution should show the positive outcome, like the village being saved and the character becoming a hero, which creates a happy endings full story.
A writer can create a great ending by tying up loose ends. Make sure all the plot threads are resolved. For example, if a character was searching for a lost item throughout the story, at the end, they should either find it or have a good reason why they don't.
A writer can create a climax by building up tension steadily before it. Increase the stakes for the characters. For example, if it's a survival story, make the threats to the character's life more and more severe until the climax.
To create effective falling action, a writer should first identify the elements that were set up during the rising action and the climax. If a character had a goal in the story, the falling action can show how close or far they are from achieving it. The writer can also use description to show the new state of things. For instance, if a war was the climax, the falling action could describe the post - war landscape, the rebuilding efforts, and how the characters are adapting. It's also important to avoid introducing new major conflicts at this stage, as it will disrupt the flow towards the end.
One example could be a mystery story where the real culprit is only revealed at the very end, and the clues were subtly buried throughout the plot. For instance, in a detective story, the seemingly innocent bystander turns out to be the mastermind behind the crime, but all the evidence was cleverly disguised until the final revelation.
To create different endings, we can first think about the theme of the story. If the theme is about love, we can have an ending where love conquers all, or an ending where love is lost. We can also look at the conflicts in the story. Resolving them in different ways will result in different endings. For example, if the conflict is between two characters fighting for power, one ending could be that one character wins by force, another could be that they reach a compromise, and a third could be that a third party intervenes and changes the whole power dynamic.
To create good endings, authors should consider the themes of the story. If the theme is about friendship, the ending could show the strength of the friendship. They can use foreshadowing to make the ending seem more natural. For example, if a character mentions a special place early in the story, that place could be important in the ending. And don't be afraid to break some rules. Sometimes an unconventional ending can be very effective as long as it's well - executed.
A thought - provoking ending makes the readers think about the story long after they've finished reading. For example, in a story that ends with a moral dilemma unresolved. The readers are left to wonder what they would do in that situation, which engages them on a deeper level.
Make sure the ending resolves the main conflict. If the story is about a character fighting a monster, the ending should show whether the character defeats the monster or finds a way to co - exist with it.
We can start by making sure the ending resolves the main conflict. If the story is about a mystery, then the mystery should be solved at the end. For example, if it's a detective story, the detective figures out who the culprit is and brings them to justice.