Well, they often create an immediate sense of unease. For example, a line that starts with a strange or disturbing description like in 'The Exorcist' where it begins with something that gives a feeling of wrongness. It makes the reader want to know what's going on.
The best opening lines in horror novels are effective because they immediately engage the reader's emotions. They might tap into our primal fears of the dark, of being alone, or of something not being right. For instance, an opening line that describes a desolate and eerie landscape makes us feel a bit of dread. It's like the author is whispering 'Something bad is going to happen here' right from the start, and we can't help but listen.
They create intrigue. For example, a line like 'Call me Ishmael.' makes you wonder who Ishmael is and what his story will be. It's a simple way to hook the reader. They also set the tone. If the first line is something dark like 'It was a bright cold day in April, and the clocks were striking thirteen.', it gives a sense of unease and a strange world that the reader is about to enter. Another factor is that they can introduce a key theme. Like 'It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.' which immediately tells us that marriage and wealth are going to be important themes in 'Pride and Prejudice'.
Effective opening paragraphs often set the tone for the whole novel. Consider 'Dracula' by Bram Stoker. '3 May. Bistritz. - Left Munich at 8.35 P.M., on 1st May, arriving at Vienna early next morning; should have arrived at 6.46, but the train was an hour late. Buda - Pest seems a wonderful place, from the glimpse which I got of it from the train and the little I could walk through the streets.' This matter - of - fact, journal - like start sets a somewhat eerie, anticipatory tone as if the narrator is unknowingly walking into danger. It makes the reader anticipate something bad is going to happen.
The opening line 'The man who bought my soul already owned my body.' is quite a great horror opening. It throws you right into a disturbing situation. It makes you question how someone could have their body and soul in such a compromised state. It's a line that grabs your attention and drags you into a world of horror and the unknown.
They create immediate suspense. For example, like 'The phone rang in the dead of night. It was my number calling.' It makes you wonder right away what's going on.
The best short horror stories are effective because they quickly create an atmosphere of fear. They often use simple yet powerful settings, like a dark forest or an old, creaky house. For example, in 'The Tell - Tale Heart', the confined space of the old man's room adds to the sense of claustrophobia and dread. Also, they usually have relatable characters that the reader can identify with, which makes their terrifying experiences more impactful.
The sound effects. In a good audio horror story, the sound effects can create a really creepy atmosphere. For example, in a story about a haunted forest, the rustling of leaves and the howls of unseen creatures can send shivers down your spine.
In Stephen King's 'It', the opening line 'The terror, which would not end for another twenty - eight years - if it ever did end - began, so far as I know or can tell, with a boat made from a sheet of newspaper floating down a gutter swollen with rain.' It hooks the reader right away. The mention of a long - lasting terror and something as simple as a floating paper boat in a rain - swollen gutter creates a contrast that draws you in.
The sense of authenticity. Letters and diaries feel like real, personal accounts. When horror is presented in this way, it feels more immediate and believable. Take 'The Yellow Wallpaper'. The journal entries make it seem like a real woman's experience of going mad. We're drawn into her world, and the horror becomes more intense because it seems like a true story. It's like we're reading someone's private, terrifying experiences.
Often, great opening lines in YA novels introduce a unique concept or situation. Consider 'I'm a walker, a last - chance insurance policy against the monsters that infest our world.' This kind of line not only makes you wonder what a 'walker' is and what these monsters are, but it also gives a sense of the character having a special role or power. It makes the reader eager to explore more about this world and the character's place in it.
They often play on our deepest fears. Like in 'I heard my name being called from the attic. I live alone.' This taps into the fear of the unknown and the idea that there could be something lurking in our own homes where we're supposed to feel safe. The short format also forces the horror to be concentrated and immediate.