The setting can also represent good vs evil in fiction. A bright, sunny place might be associated with good, while a dark, gloomy forest or a spooky castle could be a place of evil. Consider 'Sleeping Beauty'. The castle before the curse is a happy place, but when the evil witch curses it, it becomes a place of doom. Characters' relationships also play a part. Good characters form positive relationships based on trust and loyalty, while evil characters might be backstabbing and manipulative.
Well, as for the facts, tombstones in the media could be shown accurately as a way to commemorate the dead. But in a lot of fictional works, like some gothic novels, tombstones are made out to be these mysterious things. They might be described as having strange inscriptions that hold the key to some long - lost secret. In reality, most inscriptions on tombstones are straightforward, like the name and life dates of the deceased. In movies, tombstones are sometimes used as a backdrop for a horror - filled encounter, which is a far cry from their actual role in real life.
In fiction, 'letting in good vs evil' often creates a fundamental conflict. It can be as simple as a hero representing good facing a villain symbolizing evil. This contrast drives the plot, making the story interesting. For example, in 'The Lord of the Rings', Frodo is the good character trying to destroy the evil ring, and Sauron is the embodiment of evil. This dynamic engages readers and makes them root for the good side.
Well, when it comes to love in fact, it can be messy. It involves compromise, communication problems, and sometimes it fades over time. But in fiction, like in many romantic comedies, love just magically solves all problems. As for death, in real life, it's often accompanied by grief, legal matters, and a lot of practical issues. However, in fictional stories such as some fantasy novels, death can be a means to an end, like a sacrifice for a greater good or a way to gain special powers.
One characteristic could be the subversion of traditional moral binaries. In such fictions, the line between 'good' and 'evil' is often blurred. For example, a so - called 'evil' character may have understandable motives for their actions that are not simply about being malicious. Another aspect is that it might question the very concept of absolute good and evil. It could show that what society labels as good may have a dark side and vice versa.
In fact, historical records suggest that people in the context of the Kingdom of Heaven concept were mainly focused on religious devotion and following strict religious rules. In fiction, like in some novels, people might be shown as having more freedom to question the concept. For example, a fictional character might wonder if the Kingdom of Heaven is really all that it's cracked up to be.
In fact, Eichmann's capture was a well - planned and secret operation. But in some fictional accounts, it might be shown as more of a chance encounter or a more action - packed, Hollywood - style event. The real operation involved months of surveillance and intelligence work.
On the other hand, good fictional works can also show the human side of forensics. It's not just about the science, but also about the people doing the forensic work. Their dedication, the ethical dilemmas they face, and how they interact with other investigators can all be part of the fictional portrayal of forensics.
In fiction, birds can be represented in various ways. Sometimes they are symbols of freedom, like the albatross in 'The Rime of the Ancient Mariner'. They can also be messengers, such as the owls in the 'Harry Potter' series that carry messages for wizards. And in some stories, birds are just part of the natural backdrop, adding a touch of realism to the fictional world.
Some fictional works represent AI as a mystery. We don't fully understand how it works or what its true capabilities are. In some novels, the discovery of an ancient or alien - made AI is a central plot point. The characters have to figure out how to interact with it, what it wants, and if it can be trusted. This creates a sense of intrigue and suspense in the story.
In fiction, curses are often represented as having specific incantations or words. For example, in some witch - based stories, a particular rhyme or set of words must be spoken to cast a curse. They can also be represented symbolically, such as a dark cloud or a strange mark that appears on the cursed object or person.