The kidnapper might be the anti - hero. He does something morally wrong (kidnapping) but the story could be written in a way that makes the readers understand his motives. The kidnapped boyfriend could be the everyman archetype, someone the readers can easily relate to. He's just an ordinary person thrust into this extraordinary and terrifying situation.
There could be a hero archetype in the form of a friend or family member who tries to rescue the kidnapped character. The kidnapper might also have a complex side, like a tragic hero in a sense. He may have good intentions deep down but is going about it in the completely wrong way. And the kidnapped character could also have a strength - in - vulnerability archetype, where he finds his inner strength during the difficult situation.
One archetype could be the brooding captor. He is often mysterious, with a dark past that led him to this situation of kidnapping. He may seem cold at first but has a soft side deep down. Another is the charming captor, who uses his charisma to both keep the captive in check and also to gradually win them over. There's also the noble captor, who may have kidnapped the character for a self - less reason, like protecting them from a greater danger that the captive doesn't initially understand.
One plot element could be the escape or rescue aspect. There might be friends or family of the kidnapped character trying to find him. Meanwhile, during the time of being kidnapped, the two characters may have intense conversations that reveal their true feelings for each other. This could lead to a transformation in their relationship, either towards a more positive and loving one or a complete breakdown, depending on how the story unfolds.
One archetype is the Roman Legionnaire - turned - mercenary. He has left the strict legion life and is now trying to make a fortune in Westeros. He could be a bit of an anti - hero, willing to do whatever it takes to survive. Then there's the Westerosi noble who is intrigued by the Roman military ways and tries to adopt them for his house. He might be seen as a bit of an innovator, but also as a threat by the more traditional houses. And don't forget the Roman priestess - like figure who brings her religious beliefs to Westeros and causes a stir among the local religions.
One negative impact is that it can normalize abuse in relationships. Readers, especially young and impressionable ones, might start to think that such behavior is acceptable in a relationship.
One character archetype is the scheming blackmailer. This person is self - centered and ruthless, seeing the young wife as an easy target. The young wife can be the damsel in distress archetype, in need of help. Additionally, there might be a wise old character, like an elder in the community or an experienced lawyer, who provides guidance and support to the young wife. They represent wisdom and stability in the chaos of the blackmail situation.
No. Sexual orientation is not a matter of being 'turned'. Gay people are just as they are from the start, and it's not something that can be made to happen through external influence.
One common theme is the power dynamic. When one character is kidnapped, there's an obvious imbalance of power at first. Another theme is the discovery of self - worth. The kidnapped character often has to reevaluate who they are and what they want in life. And of course, love in unexpected circumstances. Despite the difficult situation, love can still bloom between the two characters.
One possible plotline could be that a deranged fan kidnaps the Beatles in an attempt to force them to play a private concert just for them. Another could be that a rival music group arranges the kidnapping to try and stop the Beatles' rise to stardom.
One possible plot could be that Jack is kidnapped by an enemy from his past who has a vendetta against him. The kidnapper might be seeking revenge for something Jack did long ago. Another plot could be that Jack is kidnapped because he has some valuable information that the kidnappers want.
One good archetype is the tormented vampire. This vampire is conflicted between its blood - thirst and its sense of morality. In a Call of Cthulhu - inspired world, it might be trying to resist the pull of the dark forces associated with Cthulhu while still dealing with its vampiric nature. Another is the fearless investigator. This character is brave and curious, always looking into the strange happenings in the town or city that involve both vampires and Cthulhu - related mysteries. And then there's the mad cultist. This person is devoted to Cthulhu and sees the vampires as tools to achieve their dark goals of summoning Cthulhu or spreading chaos.