Ending with a symbolic image can be very powerful. In a story about a person's struggle with depression, the final scene could be the character looking at a single flower growing through a crack in the pavement. This flower represents hope and new life, leaving the reader with an uplifting feeling and a deeper understanding of the character's journey.
An ending that ties up all the loose ends neatly is a classic approach. If there were sub - plots or mysteries throughout the story, resolving them all in the end gives the reader a feeling of satisfaction. Like in a mystery story where the identity of the thief was unknown, and at the end, all the clues are put together to reveal who it was.
Another way is to end it with a glimmer of hope. After all the horror, there's a small sign that things might get better. However, this hope should be tenuous, like a single ray of light in a pitch - black room filled with monsters. It adds a bit of relief but still keeps the overall horror tone intact.
One way to end dialogue well in a short story is through the use of ellipses. For instance, 'She started, "I think..." and then the story moves on. This creates a sense of the conversation trailing off. Another effective method is to have a character cut off another character mid - sentence, like 'He was saying, "But we should..." when she interrupted, "Enough."' Also, ending with a rhetorical question can be great. For example, 'They were discussing their past when he asked, "Can we ever really go back?" and the dialogue ended there, leaving the reader to think.
You could start with a thought-provoking question. Like, 'What if the world stopped spinning? How would we survive?' This gets the reader thinking and interested in seeing where the story will go with this concept.
Sure. A twist ending is quite common. This is when there is an unexpected turn at the end that changes the whole perspective of the story. For instance, the person you thought was the villain turns out to be the hero all along.
Sure. For a children's story, you could end it with the characters having a big, silly dance party. All the animals in the forest or the kids in the story start dancing in the most comical way possible. Another way is to have a magic spell go wrong in a funny way. For example, if a wizard was trying to make a flower grow, instead it makes the whole garden turn into a bouncy castle. Also, you could end the story with a character getting a really unexpected and goofy gift. Like a little girl who has been looking for her lost doll, and at the end, she gets a doll that can talk in a really high - pitched and funny voice.
One way is to start with a character's internal monologue. For instance, 'I always knew this day would come, but I never expected it to feel like this.' It gives an immediate insight into the character's thoughts and feelings, and the reader can start to form a connection with the character from the very beginning. This can also set up the conflict or the journey that the character is about to embark on.
The setting can play a crucial role in ending a gothic story. One way is to have the setting be consumed by the very darkness it has harbored. For instance, if the story is set in an old, decaying castle, the end could see the castle collapsing into ruins as the evil within it is finally unleashed. This gives a sense of finality and destruction related to the gothic setting.
You can end it with the ghost finding peace through the help of the living characters. The characters could perform a ritual that sends the ghost to a better place. It shows that there can be harmony between the living and the dead, and it gives a feeling of hope and kindness.
Yes. A happy ending where the good characters are rewarded is always good for a children's book. For example, the little girl who was kind to animals gets a magical pet as a reward. It makes children feel that being good has positive outcomes.