In reality, the average height of a 13 - year - old is around 5 feet for boys and a bit shorter for girls. In fantasy fiction, it can be very different. Fantasy often has races like elves that might be taller than humans at 13 years old, say 5.5 feet or more, or dwarves that could be much shorter, like 3 - 4 feet.
The difference is quite significant. In reality, we have a fairly well - defined range for the average height of 13 - year - olds. However, in fantasy fiction, the height of 13 - year - olds can be whatever the author imagines. For example, in a fantasy story set in a world with giants and pixies, a 13 - year - old giant could be 10 feet tall while a 13 - year - old pixie might be only 1 foot tall. This shows how fantasy can deviate greatly from the real - world averages when it comes to depicting the height of 13 - year - olds.
Well, in the real world, 13 - year - olds generally fall within a certain height range based on genetics, nutrition, etc. In fantasy fiction, though, there are no such limitations. In a fantasy world, a 13 - year - old dragon - rider might be extremely tall for their age, like 6 feet, because of the special powers or the nature of their race. And a 13 - year - old goblin could be as short as 2 - 3 feet, which is way different from the real - world average.
In fantasy fiction, there's no single 'average' height for a 13 - year - old as it varies greatly. Some fantasy worlds might have 13 - year - olds as short as 4 feet if they are of a more diminutive race like hobbits in Tolkien's world. Others could be taller, around 5 feet or more if they are of a taller, more human - like race with different growth patterns.
For residential buildings, the average height of a story is usually around 9 to 10 feet. In commercial office buildings, it can be around 10 to 12 feet to accommodate the installation of things like dropped ceilings for electrical and HVAC systems. Industrial buildings often have much higher story heights, sometimes up to 20 feet or more, to allow for large machinery and storage of goods.
In 'Percy Jackson' series, Percy's mother is a loving and protective parent. She stands by Percy through all his adventures and even faces the wrath of the gods for him. Meanwhile, Percy's father Poseidon has a more distant role as he is a god. In different fantasy fictions, parents can range from being the main source of support to being the cause of the protagonist's problems, depending on the nature of the story.
Simulated reality in fiction is sometimes shown as a means of escapism. Take 'Alice in Wonderland' as an example. Wonderland can be seen as a form of simulated reality that Alice enters. It's a world with strange and illogical rules compared to her normal reality. This shows how fictional simulated realities can be used to explore the human psyche and our desire for something different from our everyday lives. It can also be a way to comment on society, as in 'Brave New World' where the simulated - like society controls every aspect of people's lives.
Augmented reality in science fiction can take on many forms. Sometimes it's used for military or espionage purposes. In such cases, agents might have AR - enabled goggles that allow them to see through walls or detect hidden enemies. It also often plays a role in communication, where people can project holographic images of themselves or others for virtual meetings. This creates a more immersive and futuristic communication experience.
Some aliens in fiction are portrayed as benevolent. For example, E.T. from the movie 'E.T. the Extra - Terrestrial' is a friendly alien who just wants to go home. He has a big head, long neck and is small in stature. Then there are the menacing aliens like the Xenomorphs in the 'Alien' franchise. They are highly aggressive, with a terrifying appearance of a long - headed, sharp - toothed creature that hatches from eggs and uses humans as hosts for reproduction.
In 'Little House on the Prairie', Laura Ingalls is portrayed as a tenacious and curious child. She's constantly learning about the world around her, from helping with farm chores to making friends with the local Native Americans.
In fiction, ESTJ types are often portrayed as strict leaders or authority figures. For example, in many military - themed stories, they might be the no - nonsense commanders. ISTP characters can be the cool, practical problem - solvers, like the mechanic in a post - apocalyptic story who can fix anything with whatever is on hand. ENFP characters usually show up as the enthusiastic idea - generators, full of creativity and always coming up with wild new concepts for adventures or solutions to problems.
In superhero comics, characters like Wolverine have a form of immortality. His healing factor allows him to recover from almost any injury and he has lived for a long time. In dystopian fiction, immortality can be a tool of the ruling class. For example, in some stories, the rich can afford life - extending treatments while the poor cannot. In epic poetry like 'The Iliad' and 'The Odyssey', the gods are immortal and their immortality is used to show their power and influence over mortal affairs.
Reality fiction is different from other genres in that it takes the real world as its starting point. In horror, for instance, it could be based on real - life fears and phobias, rather than just creating some supernatural monsters out of thin air. In romance, it might involve real - life relationship problems and settings. It has a unique blend of authenticity from real - life situations and the creativity of fictional storytelling. This makes it distinct from genres that are either fully rooted in reality like non - fiction or fully in the realm of the made - up like high - fantasy.