Good psychological crime fiction often blurs the lines between right and wrong. The characters may not fit into the typical moral categories. In some novels, the detective or the main character may have their own psychological flaws that affect their investigation. This adds depth and realism to the story. It's not just about solving a crime, but about understanding the human mind behind it.
One characteristic is the in - depth exploration of characters' inner thoughts. For example, in 'Mrs. Dalloway' by Virginia Woolf, we get to peek into the minds of the characters as they go about their day, with their memories, fears, and desires all laid bare. Another is the use of unreliable narrators. 'Lolita' by Vladimir Nabokov has an unreliable narrator which makes the reader constantly question the truth and the psychological state of the storyteller.
They often have complex characters. For example, in 'The Catcher in the Rye', Holden Caulfield is a very complex teen with a lot of internal turmoil. Another characteristic is the exploration of deep emotions and mental states. In 'The Bell Jar', Sylvia Plath vividly shows the main character's depression. Also, they usually have a strong sense of internal conflict, like in 'One Flew Over the Cuckoo's Nest' where the patients fight against their own insecurities as well as the oppressive system.
The best Australian crime fiction often features complex relationships. This could be between the characters themselves, or between the characters and the Australian environment. The environment can be both a hindrance and a help in solving the crimes. For instance, in 'Mystery Road', the Aboriginal connection to the land is an important part of the story. Also, these stories are not afraid to show the darker side of Australian life, from small - town secrets to big - city crime. And they usually have a well - crafted mystery that keeps the readers guessing until the very end.
In best London crime fiction, the mystery is key. There are always puzzles to be solved, whether it's a missing person or a series of murders. The city itself becomes a character. The dark alleys, the big mansions, the bustling markets all contribute to the mood of the story. And there's often a sense of danger lurking around every corner. The stories also reflect the changing times in London. From the Victorian era to modern - day London, the crime fictions show how the city has evolved and how crime has changed with it.
Complex characters are also common. In crime books like 'The Big Sleep' by Raymond Chandler, the detective Philip Marlowe is a multi - faceted character with his own set of morals and flaws. His character development is intertwined with the solving of the crime.
The best southern crime fiction typically features a strong sense of place. It's like you can almost feel the heat and humidity of the South. The characters are often a bit rough around the edges. They might be detectives with a troubled past or criminals with a code of their own. And there's usually a good dose of mystery and a slow - burning plot that keeps you hooked.
Good marketing is also a characteristic. Publishers like Hachette are great at getting their crime fiction books in front of the right audience. They use various channels such as social media, book fairs, and partnerships with bookstores to promote their titles. They also have a knack for creating eye - catching book covers that draw readers in.
There were many books in the psychological crime series, and each book had its own characteristics and highlights. Which book was the best depended on one's personal preferences and reading preferences. However, they could be compared from the following aspects: 1 They were Fang Xiang and Lei Mi. Fang Xiang's works had a deeper style, and the plot was complicated and detailed. Remy's works were more relaxed, humorous, compact, and had a wider readership. You can choose the author you like according to your preferences. 2. The Criminal Psychology series involves crime, psychology, human nature, and many other aspects. It can bring readers different perspectives and thoughts. The first chapter, Sin City, was the most classic. It described the psychological analysis of the crime scene and the analysis of the murderer. At the same time, it also revealed the complexity and contradiction of human nature. Plot: The plot of the psychological crime series is compact, full of suspense and surprises. Each book had its own unique plot and reversal that required the reader to read and think patiently. Among them, Sin City was the most well-known plot and was also the favorite book of readers. 4. Ending: The ending of the psychological crime series is more open-minded. The readers can interpret the meaning of the ending according to their own understanding. Overall, the psychological crime series was a good book worth reading. It could bring readers deep thoughts and feelings.
One of the great ones is 'Gone Girl' by Gillian Flynn. It has complex characters and a mind - bending plot that keeps you guessing about the truth. The psychological warfare between the two main characters is intense.
Common themes include identity. The criminals may have a distorted sense of self or be hiding their true identity. Guilt is another theme. The psychological burden of guilt can be explored, whether it's the guilt of the criminal or the false guilt that others may feel. And the theme of psychological games. Criminals often play mind games with the investigators or their victims, like in 'Gone Girl' where the characters are constantly playing games with each other's minds to achieve their own ends.