They also tend to have complex plotlines that are built around agreements or pacts between characters. These pacts can be explicit, like a business deal in the story, or implicit, such as a promise of loyalty between friends. This creates a web of relationships that drives the narrative forward. In some Urdu novels, the idea of a contract can also extend to a character's relationship with fate or destiny. The character may feel bound by some pre - determined course of events, as if in a contract with the cosmos.
One characteristic is the exploration of social contracts. They often show how characters abide by or break the unwritten rules of society. For example, in many Urdu novels, characters' actions are judged based on the prevailing social norms which are like contracts.
Contract - based Urdu novels often use the concept of a contract to add depth to the characters. A character's integrity can be measured by how they uphold their end of a bargain or deal. This not only makes the characters more three - dimensional but also provides a framework for moral and ethical exploration within the story. The breach of a contract can lead to conflict, which is a crucial element in driving the plot.
These novels usually show a transformation of the relationship. It starts off as a rather cold and business - like contract but then transforms into a passionate and loving bond. The setting in Urdu novels is often very detailed, whether it's a big family house or a small village. This setting plays a role in the development of the contract - based marriage relationship. Also, cultural values and traditions are deeply intertwined in the story, which affects how the characters approach their contract marriage and the subsequent romance.
Trust is a crucial theme. Since the marriage is based on a contract, there is often an initial lack of trust between the two parties. As the story unfolds, building trust becomes a major part of the narrative. The characters have to learn to trust each other not only in terms of fulfilling the contract but also in matters of the heart. This theme is explored through various incidents in the novel, such as when one character has to make a decision that could either break or strengthen the trust in the relationship.
These novels tend to have characters that are deeply rooted in the village ethos. The protagonists are often simple villagers with their own dreams, hopes, and problems. They might be farmers, artisans, or village elders. The language used is also characteristic, often incorporating local dialects and idioms of the village areas where the story is set. This gives the novels an authentic feel and makes the readers feel closer to the village life described in the books.
They often feature young characters. Since universities are places full of young people, the protagonists are usually students or young faculty members. For example, in many such novels, the main characters are dealing with issues like exams, campus romances, and finding their place in the academic world.
They often have rich storylines. Since they are based on novels, the plots are usually well - developed and have depth. For example, in 'Humsafar', the story unfolds gradually, showing the different aspects of the characters' personalities and their relationships over time.
Spy based Urdu novels often have complex plots. They involve a lot of mystery, like the identity of the real villains or the true purpose behind certain events. For example, in many such novels, the spy is constantly trying to uncover a conspiracy.
Intelligent Urdu novels also tend to have a unique narrative style. 'Aag Ka Darya' has a non - linear narrative that jumps between different time periods. This narrative style is a mark of intelligence as it challenges the reader to piece together the story and understand the connections between different parts of the narrative.
Romantic Urdu novels often have vivid descriptions of emotions. The love between the characters is expressed in a very passionate and sometimes poetic way. For example, in 'Peer - e - Kamil', the love of the protagonist for her spiritual guide is described with great intensity. Another characteristic is the exploration of cultural and family values in relation to love. In many Urdu novels, family plays an important role in the love story, either as a support or a hindrance.
Fighting based Urdu novels also tend to have a moral undertone. The fight is not just for the sake of it. There is often a right and wrong side, and the characters are fighting for what they believe is just. This gives the novels a deeper meaning and makes them more than just stories of violence.
Often, they tend to have a strong focus on relationships. The act of kissing, if present, is used to symbolize deep love, passion or a significant emotional connection between characters.