The 'dry crime fiction' perhaps is crime fiction with a certain tone. It may not have the vivid, heart - pounding action that some other crime fictions do. It could be that the settings are described in a plain way, not painting a very colorful or exciting picture. The dialogue might be concise and to the point, serving mainly to move the plot forward in terms of the crime and its solution. It's like a stripped - down version of crime fiction that still manages to engage the reader through its focus on the core elements of the crime genre.
Well, 'the mix crime fiction' might be about the combination of different writing styles in crime - related stories. It could be a mix of traditional, hard - boiled detective narration and more modern, psychological thriller - type descriptions. Maybe it includes elements from different cultures too, like a crime story set in an international context that draws on various cultural crime - solving traditions.
I think the novels of Georges Simenon might fall into this category. He was known for his concise and unadorned writing style when it came to crime stories. His Inspector Maigret series, for instance, presents crimes in a rather matter - of - fact way, with the focus on the detective's methodical investigations.
They often lack excessive emotional drama. The focus is mainly on the crime itself, the investigation process, and the logical deduction. For example, in many classic dry crime novels, the detective simply presents the facts and evidence without much personal emotional turmoil involved.
There's also Agatha Christie. While some of her works have elements of character drama, many of her detective stories, especially those featuring Hercule Poirot, can be considered dry crime novels. She presents the crimes and the solving process in a very logical and unembellished way. And then there's Henning Mankell. His crime novels are often focused on the crime itself and the search for the truth, with a rather dry, straightforward narrative style.
Well, for best - selling crime novels with a dry feel, 'Sharp Objects' is quite good. It has a dry, almost desolate setting that adds to the overall sense of unease in the story. The characters are complex and the mystery is slowly unraveled in a way that keeps you reading. 'The Dry' itself by Jane Harper is a prime example. It's set in a drought - stricken Australian town and has a dry, unforgiving landscape that mirrors the dark secrets and crimes in the story. Also, 'The Killing' by David Hewson is a best - seller that offers a dry, methodical look at a crime investigation.
It implies that at the core of every fictional story, there's an element of wrong - doing or rule - breaking. Just like in a detective story where there's an obvious crime, other fictions also have such elements, maybe not as blatant.
Not at all! Historical fiction can be engaging and vivid. It doesn't have to be dry. Good historical fiction brings the past to life with interesting characters and exciting plots.
It could be a novel that focuses on real - life crimes. It might explore the details of criminal cases, the motives of the criminals, and the process of solving those crimes.
Another great one is 'Gone Girl' by Gillian Flynn. This book is a psychological thriller. It plays with the concept of a missing person and the suspicions that arise within a relationship. The twists and turns in the plot keep the readers on the edge of their seats as they try to figure out what really happened.
Well, 'bled dry fanfic' could be a fanfic that focuses on a character or a situation where all resources, whether it be emotional, physical or magical (if in a fantasy context) are completely drained. For example, in a superhero fanfic, the hero might be 'bled dry' of their powers after a great battle and the story could revolve around how they cope with that loss. However, this is just one possible interpretation.