Good light novels often have interesting and unique settings. For example, like the virtual world in 'Sword Art Online'. They also usually have engaging characters. In 'Re:Zero', Subaru's growth and development keep readers hooked. Another characteristic is a well - paced plot that can keep the tension and excitement going throughout the story.
Really good light novels typically have strong character arcs. In 'No Game No Life', the characters of Sora and Shiro change and grow as they face different challenges in the game - ruled world. They also often have a sense of mystery or discovery. 'A Certain Magical Index' has a lot of mysteries about the different powers and organizations. Additionally, a good light novel has a writing style that is easy to follow and yet can convey complex ideas, like in 'Accel World'.
Really good novels often have well - developed characters. These characters seem real and their actions and decisions drive the story forward. For example, in 'Pride and Prejudice', Elizabeth Bennet is a complex and relatable character.
Good fiction novels often have well - developed characters. For example, in 'Jane Eyre' by Charlotte Bronte, the character of Jane is complex and multi - faceted, which makes the story engaging. Another characteristic is a compelling plot. 'The Da Vinci Code' has a fast - paced and mysterious plot that keeps readers hooked. Also, vivid settings play a role. In 'Wuthering Heights', the desolate moors add to the overall mood of the story.
One characteristic is a concise yet impactful plot. In a short novel, there's no room for long - windedness. For example, in 'The Necklace' by Guy de Maupassant, the simple plot of a woman borrowing a necklace and the consequences that follow is very powerful. Another is vivid characterization. Even in a short space, like in 'The Most Dangerous Game' by Richard Connell, the characters of Zaroff and Rainsford are very well - drawn.
Well, strong characters are a key characteristic. In a really good romance novel, the characters should be complex and relatable. For example, in 'Pride and Prejudice', Elizabeth Bennet is intelligent, independent - minded and her pride and Mr. Darcy's prejudice create a lot of drama. Another characteristic is a believable relationship development. It can't be too rushed or forced. In 'Outlander', the relationship between Claire and Jamie builds gradually over time. Also, good romance novels often have some sort of conflict, whether it's external like in 'The Notebook' where the lovers face family and health issues, or internal like in 'Eleanor & Park' where they struggle with their own insecurities.
Authenticity is key. The relationship between the female characters should feel real and not just a plot device. In 'The Price of Salt', the relationship between Therese and Carol is depicted with such nuance and emotional depth that it draws the reader in. It also explores the social context of the time, which is an important aspect of many good lesbian novels as they often deal with the challenges of being in a relationship that society may not fully accept.
Good yuri novels often have well - developed female characters. For example, in 'Bloom into You', Yuu and Touko have distinct personalities. Their growth and self - exploration are central to the story.
Good vampire romance novels often have a strong sense of mystery. The vampire characters are usually shrouded in secrecy about their pasts, their powers, and their vampiric nature. For example, in 'Twilight', Edward's vampire abilities and his family's history add to the mystery. Another characteristic is the forbidden nature of the love. Since vampires are often seen as dangerous or different, the love between a human and a vampire is usually frowned upon. In 'Interview with the Vampire', Louis' relationship with Claudia is complex and forbidden in many ways. Also, a vivid and detailed supernatural world - building is important. In 'A Discovery of Witches', the world of witches, vampires, and daemons is well - crafted.
First of all, a really good romance spy novel usually has a high - stakes backdrop. This could be international politics, a global conspiracy, or a dangerous mission. Such a backdrop makes the spy part exciting. In terms of the romance, it should be intertwined with the spy plot. For example, in 'The Black Widow', the main character's love interest is related to the overall spy mission. The characters in these novels are often conflicted. They have to balance their duties as spies with their feelings. In 'Crossfire', the main characters are constantly torn between their jobs and their love for each other. Additionally, the writing style matters. It should be able to convey the fast - paced action of the spy world as well as the tender moments of the romance. 'The Day of the Jackal' may not be as heavy on the romance but still manages to create an atmosphere where relationships play a part within the context of the high - stakes assassination attempt.
Many really good 90s fantasy novels had complex world - building. For example, in 'A Game of Thrones', George R. R. Martin created a detailed and sprawling world of Westeros with different cultures, languages, and political systems. Another characteristic was the exploration of moral and ethical issues. In 'Good Omens', the line between good and evil was blurred as angels and demons interacted in a very human - like way.
First of all, suspense is key. The reader should be on the edge of their seat wondering what will happen next in both the mystery and the romance aspects. In 'Verity', the main character is constantly in a state of suspense as she uncovers more about Verity. Second, the setting can play a big role. In 'The Body in the Library', the setting of the old - fashioned library and the surrounding village creates a perfect backdrop for the mystery and the little romantic flutters. Finally, the dialogue in a good romance mystery has to be sharp. It can convey the romantic tension as well as the clues to the mystery, like in 'The Thirteenth Tale' where the conversations between the characters are full of hidden meanings both for the mystery and the relationship.