The main conflict in Pulp Fiction deeply affects the characters. Jules, for instance, experiences a transformation. The conflict of being in a violent criminal world and then having a moment of what he believes is divine intervention makes him question his whole existence. He goes from being a cold - blooded killer to someone who wants to get out of the life. The other characters are also shaped by the power struggles and moral dilemmas of the main conflict. They have to make choices that could mean life or death, and these choices are often influenced by the overarching conflict of survival and power in the criminal underworld.
Some characters might die directly from the explosion. If they are in the vicinity when it happens, they have little chance of survival.
The McGuffin makes the characters in 'Pulp Fiction' act in ways they might not otherwise. For instance, it makes Vincent and Jules more cautious and on - edge as they are transporting it. They know it's important and that there are consequences if they mess up. It also makes the other characters, like those who are after it, more aggressive and determined.
Conflict makes characters change. It forces them to make decisions. For example, if a character is in a conflict with a bully, they might have to decide whether to fight back or find another way to deal with it. This decision can shape their personality.
It might make them more alert. If they're on edge already, a bump could put them further on guard.
The macguffin in 'Pulp Fiction' makes the characters' relationships more complex. Since they all want the briefcase, there's a lot of tension. For example, Vincent and Jules have to work together to protect it, which builds a certain bond between them. But at the same time, others like the guys at the diner might be after it too, creating an adversarial relationship. It's like a catalyst for different types of relationships in the movie.
In 'Pulp Fiction', the main conflict lies in the chaos and moral ambiguity within the criminal world it portrays. The characters are constantly facing dilemmas that test their loyalty and survival instincts. For instance, Jules Winnfield has a conflict where he starts to question his life of crime after the so - called'miracle' he experiences. He has to decide whether to continue with his violent and immoral lifestyle or make a change. This internal conflict, along with the external threats from other criminals and the unpredictable nature of their business, forms the main conflict of the movie.
The non - linear timeline in Pulp Fiction greatly affects the storytelling. It creates suspense. Since the events are not in order, we don't know what will happen next in the 'true' sequence. For example, when we first see Vincent and Jules in the diner, we don't know the full context of their situation until later parts of the movie are revealed.
The fragmentation in the plot of 'Pulp Fiction' affects it greatly. It creates a sense of disorientation at first. But as we progress, we start to see how the seemingly random fragments are connected. This connection is what makes the plot so unique. For instance, events that seem unconnected at first later turn out to be crucial in understanding the overall story. It's like solving a puzzle where the pieces are scattered all over the place.
It makes them more aware of their mortality. For example, Vincent Vega is constantly in dangerous situations that could lead to his death. This makes him more cautious at times, but also more reckless as he tries to prove himself in this 'valley of death'.
The war conflict in the story could affect Amelia in multiple ways. Physically, she might be injured or have to endure hardships like lack of food and proper shelter. Emotionally, she could be traumatized by the violence and death she witnesses. Socially, her relationships could change. Friends might become enemies if they are on opposite sides of the conflict. And her status in society could also be altered. For instance, if she proves herself in the war, she could gain respect and power, but if she is seen as a coward or a traitor, she could be ostracized.