One way is to look for the root of the anticlimactic nature of the story. If it's due to certain character actions, you can try to do the opposite. For example, if the villainess is always mean for no good reason, be kind and show your good side. This can gradually shift the plot and your role in it. Also, try to form alliances with other characters who have the potential to influence the story's direction.
Well, you could start by trying to befriend the protagonist. Maybe offer her help instead of causing trouble. This might change the course of the story and how others perceive you.
One way could be to try and form alliances with some of the other characters. Maybe find a character who is not directly involved in the main plot against you and convince them to help you. For example, if there are side characters who are neutral, offer them something in return for their support.
Start a new conflict that isn't part of the original boring plot. Maybe create a rivalry with a new character or find a new goal for your character that goes against the status quo. This can add a layer of excitement to the story. Another thing you could do is to reveal some secrets about your character or other characters in the story. Secrets always make things more interesting and can lead to unexpected developments.
To survive as the villainess in such a novel, you need to understand the power dynamics. Figure out who has the real power in the story and try to align yourself with them. Also, don't be too obvious with your villainous deeds. In an anticlimactic setting, small, sneaky actions might be more effective than grand evil plans. And always have a backup plan in case things go wrong.
I would try to rewrite my story. I would look for ways to change my actions and motives so that I don't have to be the villainess in the traditional sense. Maybe I could find a way to work with the protagonist instead of against them.
To survive as a villainess in a deadly novel, you need to be smart. Try to figure out the key events and avoid getting involved in the dangerous ones. For instance, if you know there's a big battle coming up where the villainess is supposed to die, find an excuse to be elsewhere.
Surviving as the villainess in such a novel could involve changing your character's actions. Instead of being mean and conniving as the original villainess, start being kind. This can change the way other characters perceive you. Also, use your knowledge of the story to your advantage. If you know there's going to be a war, you could start preparing for it in advance, like stocking up supplies or training secretly. It's all about outsmarting the plot.
One way is to find common ground with the heroes. Instead of always being in opposition, you can work together on some issues that benefit both sides. Also, you can use your power for positive changes in the empire, like improving education or healthcare. This could start to shift your reputation from a villain to a more complex character.
If I became a villainess in a deadly novel, I would first try to understand the plot and the reasons behind my character's villainous actions. Maybe I was misjudged or there were some misunderstandings. Then, I would attempt to change the course of the story. I could start by being kind to the protagonists and trying to form alliances with them instead of opposing them. This way, I might be able to avoid the 'deadly' end that was originally set for my character.
Make sure your characters have clear and significant arcs. If they start out with big goals, don't let them achieve them in a flat or uninteresting way. The final confrontation or resolution should be intense and meaningful. For instance, in a hero's journey, the hero should face a real and difficult challenge at the end, not just stroll to victory.
A common trait is also being manipulative. The villainess will try to manipulate the situations and the people around her to get what she wants. She might manipulate the male leads by lying about the protagonist or creating misunderstandings between them to drive a wedge in their relationship.