In dance, the use of body language and movement can tell a story of passion and desire. The dancers can use their postures, the way they move towards and away from each other, and the energy they exude to convey a sense of love and sensuality. The choreography can be designed in such a way that it tells a story of attraction and connection without any vulgar or inappropriate gestures. For example, a slow and graceful duet can be used to represent the initial stages of a romantic relationship.
In literature, using metaphor and allusion is key. Instead of directly describing sexual acts, a writer can use nature imagery to represent the human body and the act of love - making. For example, comparing the joining of two lovers to the meeting of two rivers. This not only adds an element of beauty but also keeps the story from being vulgar. Also, focusing on the emotional and psychological aspects of the relationship can help. By exploring the characters' longings, insecurities, and deep affections, the story can be about more than just the physical aspect of an erotic relationship.
If we consider 'cock' as a bird, 'feeling cock in stories' could be about the awareness of a rooster within the narrative. It might be related to the role the rooster plays, such as being a symbol of the start of a new day, or it could be part of the scenery where the characters interact with the rooster on a farm or in a rural setting.
Hypnosis can be used to show a character's journey of self - discovery. For example, a character might use hypnosis to overcome a phobia. This can add depth to the story and show personal growth.
Tempest can be used as a metaphor for turmoil in a character's life. For example, in a story about a young person starting a new business. The various difficulties and setbacks they face, like financial problems and competition, can be compared to a tempest. Just as a ship has to navigate through a real tempest, the character has to navigate through these challenges to succeed.
In a non - erotic story, a fembot could be a sidekick or a helper to the main character. It could use its technological abilities to solve problems or assist in a mission. For instance, a fembot could be a detective's assistant, using its advanced data - processing skills to analyze clues. This would add an interesting technological element to the story without any erotic undertones.
In a story about an athlete's career. As the athlete gets older, injuries and the intense competition start to drain their vitality. Their once - high - energy performances become less frequent and less spectacular. This is a metaphorical use of 'vitality drain' that has nothing to do with anything sexual but rather shows the natural decline in a person's ability and energy in a particular field.
Lingerie can be used to symbolize a character's femininity, confidence, or a sense of mystery. For example, a character wearing a beautiful piece of lingerie might be preparing for a special occasion that is central to the plot, like a big date or a performance.
The leather element can be used to represent durability. For example, in a story about a cowboy, his leather boots and saddle might symbolize his tough and enduring life on the range. It can also signify a connection to the past or tradition, like a family heirloom leather jacket passed down through generations.
In fantasy stories, timestop can be used for character development. A young wizard who discovers the timestop spell could use it to reflect on his actions and decisions. He can stand in the stillness of the stopped time, think about his mistakes and how to improve himself. This gives the character a chance to grow and evolve in a different way.
Home can also be a safe haven for gay couples. They can decorate their home in a way that reflects their identity and relationship. A story could focus on how they make their home a warm and inviting place for themselves and their friends, showing that their home is a place of love and stability in a world that might not always be accepting.
In a non - erotic way, reluctant seduction can be shown as a form of persuasion in a friendly or platonic context. For example, a character might be reluctant to try a new hobby, but through the gentle persuasion of a friend, they are slowly convinced. It's about the power of positive influence rather than any sexual undertones.