A person with a complex family history, a history of personal growth through hardships, and a diverse set of skills could be considered the complete novel. Say, a person who grew up in a large family with lots of siblings and family drama, overcame personal problems like addiction or depression, and learned skills like painting, cooking, and coding along the way. Their life is like a novel full of character development, conflict, and resolution.
Imagine a person who has had many love affairs, each with its own unique story. They've also had different career paths, from being an artist to a businessperson. This person has a deep understanding of different philosophies and religions, and they express themselves in various ways, through writing, dancing, or singing. Such a person is like a complete novel, filled with many different chapters and themes.
Sure. A famous critic once slammed a best - selling fantasy novel because he thought the world - building was too simplistic. He wrote a review saying the places and cultures in the novel lacked depth and detail, which made it feel like a cheap imitation of other successful fantasy novels.
Virginia Woolf can be considered as having'mothered' her novels. She was very meticulous in her writing process. She carefully crafted her complex characters and unique narrative styles. Just as a mother would painstakingly care for a child, Woolf tended to her novels, nurturing them with her own deep thoughts, unique literary techniques, and detailed descriptions. For instance, in 'Mrs. Dalloway', she wove together different characters' stories and inner thoughts in a way that shows her in - depth care and attention, much like a mother would look after her offspring.
One example could be '1984' by George Orwell. The world - building in it is so well - defined and the plot seems to be hardwired in a sense. The totalitarian regime, the relationship between Winston and Julia, and the way the story unfolds are all very set from the start.
Sure, 'The Lord of the Rings' is complete fiction. It has hobbits, wizards, and all sorts of magical creatures that don't exist in reality.
Malala Yousafzai is an example. She survived an assassination attempt by the Taliban just because she advocated for girls' education. She is alive to tell the story of the importance of education for all, especially girls in regions where it is restricted. Her story has inspired millions around the world.
Malcolm Gladwell is someone who tells his story. He writes non - fiction books where he often draws on his own insights and experiences. His books are filled with anecdotes and his analysis of various phenomena, which are in a way his way of sharing his view of the world, which is shaped by his own journey.
As the historical research for his novel progressed, light thickens novel. He found that the more facts he unearthed, the more layers were added to the story, making it a much more intricate and interesting piece of work. It was as if the new knowledge (light) was thickening the fabric of the novel.
Imagine a novel about an artist in 19th - century Europe. The artist is inspired by the beauty of marble sculptures he sees in local museums and churches. Meanwhile, the industrial revolution is bringing about a new era of oil - powered machinery. The artist struggles to keep his traditional art form alive in the face of this new, fast - paced world driven by oil. The descriptions of the marble sculptures and the impact of oil - based technology on society can be used to add depth to the story. It can show the clash between the old and the new, with marble representing the traditional art and oil representing the modern industrial force.
Take a 'Twilight' fanfic as an example. In the original, Bella chooses Edward. But in a complete turnaround fanfic, Bella might end up with Jacob instead, and the whole vampire - werewolf dynamic could be completely re - written. Maybe the vampires and werewolves form an alliance because of Bella's choice, which is a far cry from the often - tense relationship they had in the original story.
One could imagine a character in a meta - fictional story who somehow steps out of their own fictional world and into the world of a 'Never After' novel. For example, in a story about different fictional realms colliding, a hero from one realm might cross into the 'Never After' novel's world.