How can we identify the best conflicts on stories?
One way is to look at the main character's goals. If there's something blocking the character from achieving those goals, that's likely a conflict. For example, if a character wants to find a treasure but there are pirates in the way, it's a clear conflict.
Pay attention to the emotions in the story. High - tension emotions often come from conflicts. When a character is angry or desperate, it might be because of a conflict like being betrayed by a friend (person vs. person conflict).
How can we identify the best morals in stories?
Look for the actions of the main characters. If a character is rewarded for doing good, like helping others, then that's a clue to a positive moral such as altruism. For instance, in stories where a hero saves a village, the moral might be about selflessness.
How can we identify the best completed stories?
Popularity and longevity can also be indicators. Stories that have been loved for a long time and are still relevant, like 'The Adventures of Sherlock Holmes', are often well - completed. The various cases are solved neatly, and the relationship between Holmes and Watson is always engaging. It has a consistent quality throughout that makes it stand out as a great collection of completed stories.
How can we identify the best moral of the stories?
We can identify the best moral of the stories by looking at the transformation of the characters. If a character changes from being selfish to selfless and becomes a better person, the moral could be 'Selflessness is noble'. Also, consider the cause - and - effect relationships in the story. If a character lies and then faces negative consequences, the moral is likely 'Lying is wrong'. Another way is to see what the story is trying to teach about society or human nature. If it shows that helping the community is good, then the moral could be 'Community spirit is valuable'.
How can we identify the best moral of stories?
Consider the ending of the story. A happy ending might indicate that the values or behaviors leading up to it are positive morals. For example, if a story ends with a character being successful after working hard, the moral could be the value of hard work. This is often seen in rags - to - riches stories.
How can we identify the best drama stories?
Well, one way is by looking at the depth of the characters. If the characters are complex and multi - dimensional, like in 'The Godfather', it's often a sign of a great drama story. They should have believable motives and emotions.
How can we identify companies with the best stories?
Look at their history. Long - standing companies often have interesting tales of growth and adaptation. For example, IBM has a history that spans over a century. It started with punch - card tabulating machines and has continuously evolved into a major player in the technology services industry. Their journey shows how a company can reinvent itself over time.
How can we identify the best fairy tales stories?
One way is by looking at their popularity over time. For example, tales like 'Hansel and Gretel' have been told for generations all around the world, which shows they have a certain appeal.
How can we create good conflicts for stories?
Another way is to consider the values of the characters. Suppose a character values honesty above all else and another character lies easily. When they interact, there will be a conflict. For example, in a detective story, the detective who values truth will have a conflict with the suspect who tries to deceive.
How can we identify the best quotes in a story?
Look for lines that seem to sum up the main theme. For example, in a story about friendship, a quote like 'True friends are like diamonds - bright, beautiful, valuable, and always in style' would be a good one. It directly relates to the theme of friendship.
How can we identify the best descriptions in fiction?
One way to identify the best descriptions in fiction is by how well they engage your senses. If you can almost taste the food described or feel the wind on your face as you read, it's a good sign. For example, in Gabriel García Márquez's 'One Hundred Years of Solitude', the descriptions of the magical realism elements like the flying carpets are so vivid that it feels like you're right there in Macondo.