Another one is 'Through the Woods' by Emily Carroll. Her use of color and simple yet effective illustration style makes the horror stories in this collection very engaging. The stories often play on themes of the unknown in the woods, with strange creatures and situations that keep readers on edge.
Here are two more. First, the photo on the wall changed. It showed me dying. Second, I walked into the abandoned hospital. The lights flickered, and a child's laughter filled the empty halls. In the photo story, the idea of seeing oneself in a state of dying in a photo is very disturbing. It plays on our fear of the unknown and the unexpected. The abandoned hospital scenario is also a classic horror setting. The flickering lights and the child's laughter create an atmosphere of unease. It makes one wonder what could be causing the laughter in an empty, desolate place like an abandoned hospital.
The 'Corduroy' story is also good. It has illustrations that show the little bear Corduroy in the department store and his longing for a home. Kids can relate to Corduroy's feelings and the pictures make the story more engaging. 'Brown Bear, Brown Bear, What Do You See?' is another excellent choice. The bright and colorful illustrations match the repetitive and engaging text, helping kids learn about different animals and colors.
There is 'The Masque of the Red Death' which is full of horror and symbolism. The vivid descriptions in the story can be made even more impactful with illustrations. The story's exploration of death and the futility of trying to escape it can be really creepy when presented with the right visual aids.
One great example is 'Alice's Adventures in Wonderland'. The book cover illustrations often depict the fantastical world of Wonderland with Alice, the Cheshire Cat, and the Mad Hatter. Another is 'The Little Prince'. Its covers usually show the little prince on his planet with his rose. 'Peter Pan' also has wonderful book cover illustrated versions, showing Peter flying over Neverland with Tinker Bell.
Since it was published in 1891, the 'illustrated good stories' were probably influenced by the values and culture of that time. They might have included tales of adventure, love, and perhaps stories about the everyday life of people back then. The illustrations would have added an extra layer of charm, helping to bring the stories to life for the readers, whether they were children or adults looking for some light - hearted reading.
The illustrations. They add a visual dimension to the horror. For example, in a story about a haunted house, the illustration can show the dilapidated exterior, the shadowy corners, and the menacing presence that the text only describes. It makes the horror more immediate and tangible.
The brevity. It quickly hits you with the horror.
Illustrated horror stories can have a strong impact on the reader. They can create a more immersive experience. For instance, a scary illustration can make the horror more immediate and tangible compared to just reading the text.
I'm not sure specifically what 'june 1891 illustrated good stories' is about as I don't have access to that particular work. It could be a collection of stories with illustrations from June 1891, perhaps covering a variety of themes like adventure, love, or moral lessons.
The art in these stories is crucial. It should be able to convey emotions clearly. In 'Blue is the Warmest Color', the use of color and the detailed drawings of the characters' expressions help us understand their love and longing. Also, the storylines need to be engaging. They might explore different aspects of gay relationships such as the challenges of coming out to family and friends, or the joys of finding love, as seen in 'Check, Please!'