It means that each mark made by the brush in a picture has significance. Just as a writer uses words to create a narrative, an artist uses brushstrokes. A single long, curving brushstroke might represent movement in a picture, like a character running in a story. A series of short, staccato brushstrokes could indicate agitation or activity.
This statement implies that the brushstrokes in a picture are not just random marks but are elements that communicate a message or a sequence of events. For example, in a portrait, the brushstrokes used to paint the eyes might be very detailed and carefully crafted. This could be seen as the 'telling' part of the story, perhaps revealing the subject's emotions or character. The brushstrokes around the hair might be looser and more flowing, suggesting a more carefree aspect of the person's personality or the overall mood of the portrait.
The scumbling stroke is quite common for telling stories. It involves a light, broken - up application of paint that can create a hazy or dreamy effect, suitable for stories with a sense of mystery or memory. Then there's the dry - brush stroke, which leaves a rough, textured look. This can be used to represent things like old, weathered surfaces in a story about history or decay. The impasto stroke, where the paint is thickly applied, can convey a sense of importance or solidity, perhaps for a key element in the story, like a grand castle or a significant character.
Artists use different brushstrokes to convey stories in various ways. For example, bold and thick brushstrokes might represent strength or passion. A series of short, quick strokes could suggest movement or chaos. They can also use the direction of the strokes, like upward strokes to indicate growth or hope. By manipulating the brushstrokes, artists can create textures that add to the narrative. For instance, rough brushstrokes might be used to depict a rugged landscape or a difficult situation, while smooth strokes could represent calmness or serenity.
It means that each picture has its own narrative. A picture can capture a moment, an emotion, or an event. For example, a photo of a family gathering shows the relationships and the joy of the moment.
It could imply that the so - called 'pretender' is someone who is constantly creating stories through pictures. Each picture might be a tool for them to convey a certain narrative. Say, if it's an artist who is seen as a pretender in some way, every painting or drawing they create (every picture) is telling a unique story, be it about their own experiences, their view of the world, or just a fictional tale they want to share.
I think 'reba every picture tells a story' could mean that Reba has a very perceptive view of pictures. In art, for instance, paintings often have hidden meanings or stories. Even a simple still - life painting of fruits can tell a story about the season, the artist's mood while painting, and the cultural significance of those fruits. Reba might be trying to convey that we should approach pictures with an open mind, ready to discover the tales they hold.
When we say 'every donut tells a picture story', it implies that there's more to a donut than just being a delicious snack. The shape, color, and texture of a donut can be associated with different things. A ring - shaped donut might symbolize unity or infinity. The glaze could represent a smooth and easy - going nature. And the fillings, if any, could be like a hidden part of the story. For instance, a jelly - filled donut could be seen as having a sweet surprise inside, much like a story with an unexpected plot twist.
It means that each school picture has something to say. Maybe it shows a moment of friendship, like kids laughing together. Or it could be a memory of a tough exam day with everyone looking stressed. School pictures capture different emotions and events.
I'm not sure who 'hoagard' is in this context. But the phrase 'every picture tells a story' generally means that each image can convey a lot of information, emotions, or events just by looking at it.
It could imply that within a 48 - hour period, every picture has the potential to convey a story. Maybe it refers to a specific event or situation where over the course of 48 hours, pictures taken during that time can tell various stories about what happened, like a short - term documentary in picture form.
It could mean that in Morris's view or in a context related to Morris, there are pictures that lack a narrative. Maybe some pictures are just for aesthetic purposes or to convey a mood rather than a story.