The Presence in DC Comics is an omnipotent being. He represents the very essence of the DC universe's divine power. He is above all other entities in terms of power and has the ability to shape the DC multiverse in any way he desires.
Galactus from Marvel Comics is an example. He is a cosmic entity with near - omnipotent power. He devours planets to sustain his energy, and his power is so vast that only a few heroes can even attempt to stop him, and usually only through great sacrifice or clever strategies.
In the 'DC Comics' universe, Darkseid can be considered a near - omnipotent being. He has incredible strength, can control minds on a large scale, and his Omega Beams are extremely powerful. His goal of universal domination makes him a formidable and all - powerful force in the DC world.
Omnipotent beings in fiction can take various forms. There are the more traditional divine - like entities, like the Greek god Zeus in some retellings of Greek mythology - based fictions. He has the power over lightning, can change his form, and has dominion over the other gods to a certain extent. Then there are more abstract omnipotent beings. In some science - fiction stories, an all - encompassing energy or force might be considered omnipotent, which affects the entire universe and everything in it.
Omnipotent beings can act as a catalyst for character development. Facing an all - powerful entity forces the characters to reevaluate their own beliefs, skills, and values. They may have to find new ways to overcome challenges that are far beyond their normal capabilities. This can lead to significant growth in the characters, which in turn shapes the overall plot as the changed characters make different decisions.
In '2001: A Space Odyssey', the monolith seems to be a tool for some ascended or highly advanced beings. It's a mysterious object that triggers the evolution of humanity. Kubrick shows this ascended being's influence in a very abstract way.
Well, ascended beings in the ascend trope of science fiction are typically shown as having achieved a higher state of existence. They could be the result of evolution, technological augmentation, or spiritual enlightenment. These beings are usually presented as guiding forces or as entities with a grand purpose, sometimes even acting as protectors or destroyers depending on the narrative's needs.
Another instance is faster - than - light travel. According to our current understanding of physics, traveling faster than the speed of light is not possible. However, it is a common trope in science fiction. For example, in 'Star Trek', the starship Enterprise can achieve warp speed, which defies known scientific principles. This is bad science used to enable exciting stories and adventures in the fictional universe.
In the world of fiction, characters like Thanos are also extremely powerful. He has the Infinity Gauntlet which gives him the power to control reality, time, and space among other things. He can wipe out half of all life in the universe with a snap of his fingers. His strength and the scope of his power are truly terrifying.
In science fiction, when it comes to ascended beings in the ascend trope, there are several common themes. Firstly, there is the theme of evolution, both physical and mental. They represent the next step in the development of a species. Secondly, the theme of mystery surrounds them. Their origins and true nature are often left ambiguous. Thirdly, there is the theme of hierarchy. They are usually placed above other beings in the fictional universe, creating a sort of power structure. This can lead to stories about power struggles between the ascended and the non - ascended, or between different levels of ascended beings. Additionally, the theme of enlightenment is present, as they are seen as having achieved a higher level of understanding, whether it be scientific, spiritual, or both.
In 'Avatar', the corporate greed of the RDA Corporation is a major theme. They are only interested in the valuable mineral unobtanium on Pandora, regardless of the destruction they cause to the native Na'vi people and their planet. Another example is in 'Blade Runner' where the Tyrell Corporation's greed drives them to create replicants for their own profit and power, without considering the ethical implications of creating sentient beings as slaves.
The movie 'Carrie' also features telekinesis. Carrie White, the main character, discovers her telekinetic powers. At the prom, she uses her power to wreak havoc after being bullied, showing the destructive side of telekinesis in a science - fiction context.