You could start with a contradiction. 'The man who was known for his honesty suddenly told a lie.' This makes the reader want to know more. Another way is to start with a time reference. 'In the year 3000, things were very different from what we know today.' It gives a sense of the story's setting and time frame right away.
One way is to start with a news report or an announcement. 'The radio crackled to life with the news that a strange object had been spotted in the sky.' It creates intrigue. Also, beginning with a dream sequence can be interesting. 'She found herself in a world of floating islands, surrounded by strange, glowing creatures.' This can set a very imaginative tone for the story.
A funny way to start is by using a miscommunication. Say something like 'I thought he said we were going to the moon, but it turned out he just said 'room'. And that's how this crazy adventure began...' It sets a light - hearted and comical tone.
For a children's book, starting with a fun sound or onomatopoeia is great. Like 'Boom! The fireworks exploded in the sky.' It catches the children's attention immediately. Another way is to start with a cute animal doing something silly. For example, 'The little bunny hopped and hopped until he found a big, juicy carrot.'
Sure. Try writing a story in reverse. Start with the end and work your way back to the beginning. It can create a really interesting and unexpected narrative.
Another way is to end with a symbol. Suppose your story is about a young artist struggling to find their voice. At the end, they create a masterpiece that symbolizes their growth and new - found confidence. The description of this symbol can be a powerful way to conclude the story.
Sure. A great way for kids is to have an Easter story egg hunt. Instead of just regular eggs, write numbers on the eggs. Each number corresponds to a part of the Easter story. So when kids find an egg, they have to read or listen to that part of the story.
In a formal context, you can say 'conclusion' or 'the final part'.
A startling statement is another good option. 'The world ended not with a bang, but with a whisper.' It grabs the reader's attention and makes them eager to find out how such a statement could be true. Often, this type of opening challenges the reader's assumptions and sets up an interesting narrative.
You can start with a dialogue. Like '"I'm not going in there," he said, his voice trembling.' It gives an immediate sense of character and situation.
Starting a love story during a time of self - discovery can be powerful. Let's say one person is traveling alone to find themselves and meets another traveler at a hostel. They start sharing their life stories, dreams, and fears. It's a deep and meaningful start as they are in a vulnerable state. Also, starting with a shared problem like they both get stuck in an elevator and have to rely on each other to get through the situation. It builds a sense of trust and dependence right from the start.
You can start with a prophecy or a curse. 'The old woman's words echoed in his mind. 'You will see the face of death before the moon is full.' He had laughed it off at first, but now, as the moon grew fatter in the sky, strange things began to happen around him.' This immediately plants a sense of dread and anticipation in the reader's mind. They will be curious to see how the prophecy unfolds and what the face of death might be.